Stylistic Manipulation of the Reader in Contemporary Fiction

Paperback / softback

Main Details

Title Stylistic Manipulation of the Reader in Contemporary Fiction
Authors and Contributors      Edited by Sandrine Sorlin
SeriesAdvances in Stylistics
Physical Properties
Format:Paperback / softback
Pages:264
Dimensions(mm): Height 234,Width 156
ISBN/Barcode 9781350267428
ClassificationsDewey:808.3
Audience
Tertiary Education (US: College)

Publishing Details

Publisher Bloomsbury Publishing PLC
Imprint Bloomsbury Academic
Publication Date 17 June 2021
Publication Country United Kingdom

Description

This book focuses on how readers can be 'manipulated' during their experience of reading fictional texts and how they are incited to perceive, process and interpret certain textual patterns. Offering fine-grained stylistic analysis of diverse genres, including crime fiction, short stories, poetry and novels, the book deciphers various linguistic, pragmatic and multimodal techniques. These are skilfully used by authors to achieve specific effects through a subtle manipulation of deixis, metalepsis, dialogue, metaphors, endings, inferences or rhetorical, narratorial and typographical control. Exploring contemporary texts such as The French Lieutenant's Woman, The Remains of the Day and We Need to Talk About Kevin, chapters delve into how readers are pragmatically positioned or cognitively (mis)directed as the author guides their attention and influences their judgment. They also show how readers' responses can, conversely, bring about a certain form of manipulation as readers challenge the positions the texts invite them to occupy.

Author Biography

Sandrine Sorlin is Professor of English Language and Linguistics at University Paul Valery of Montpellier 3, France.

Reviews

An innovative and insightful volume about manipulation in literary texts. * Cercles Book Review * This is a wide-ranging and fascinating collection of essays on how texts manipulate readers - and how readers manipulate texts - as well as a real demonstration of the breadth and depth of contemporary stylistic inquiry. * Sam Browse, Senior Lecturer in English Language, Sheffield Hallam University, UK *