Beastly London: A History of Animals in the City

Description

Horse-drawn cabs rattling through the streets, terrified cattle being herded along congested thoroughfares to Smithfield market, pigs squealing and grunting in back yards - London was once filled with a cacophony of animal noises (and smells). But over the last thirty years, the city seems to have finally banished animals from its streets, apart from a few well-loved beasts such as the ravens at the Tower of London and the shire horses that pull the Lord Mayor's golden coach. Londoners once shared their homes with all kinds of animals - pets, livestock and vermin - and the streets were full of horses, cattle and the animal entertainers that performed to passers-by. Animals from all corners of the globe were imported through London's docks and exotic beasts became popular attractions at venues such as the Zoological Gardens or lived in the private menageries of kings and naturalists. The city's residents were entertained by performing fleas, mathematically gifted horses and dancing bears, as well as more bloodthirsty pursuits such as shooting and dog- and cockfights.In the Victorian age the city, not before time, became the birthplace of animal welfare societies and animal rights campaigns.Yet just as conditions gradually improved for the beasts of London, markets, slaughterhouses and dairies began to be moved to the suburbs, and the automobile eventually replaced the horse. The number of resident animals fell, and they are no longer a large part of everyday life in the capital - apart from a stalwart few, such as pets, pigeons and pests. Beastly London explores the complex and changing relationship between Londoners of all backgrounds and their animal neighbours, and reveals how animals helped to shape the city's economic, social and cultural history.

Hannah Velten is a freelance writer based in Fletching, East Sussex, and the author of Cow (Reaktion, 2007) and Milk (Reaktion, 2010).

"From fleas to elephants, this book has it covered . . . an entertaining and deeply absorbing examination of the life of animals in our city. . . . This is simply an outstanding book." -- "London Historians" "Velten has a lovely way of writing, and her sensitivity to the plight of animals is clear but never obstructs from detail. . . . Velten weaves the words of Pepys, Defoe, Evelyn, Dickens, Hogarth and other witnesses from history into her narrative; all of which is accompanied by a fantastic assemblage of carefully chosen images. In short, Velten does for London's animal history what Ackroyd did for its human history. From the cattle herded through the streets surrounding Smithfield's Market and the work-weary cart, dray, and coal horses to the exotic but doomed animals holding residency at the Tower of London and the pests, vermin, and bedbugs in Londoners own homes--for most animals the capital was a living hell. Beastly London goes some way to repaying the great debt we owe them for not only shaping the city but transforming everyday life." -- "History Vault" "Velten's sumptuously illustrated, well-researched history of the city is a comprehensive and accessible account of changing and complex animal-human relationships . . . deeply absorbing." -- "History Today" "Velten's lively account, which draws upon famous chroniclers of London life, including Pepys and Dickens, as well as period prints, paintings, and photographs, explores the hidden life of animals in the city. Like many histories, it's colourful, but shot through with brutality. Beasts of burden were not always treated well by their owners, and for centuries bloodsports such as bear baiting and cockfights provided vulgar but robust entertainment. Performing animals probably had a happier life. Among her cast of theatrical creatures, Velten introduces Toby the Sapient Pig, who could pick up letters written on cards and rearrange them into words, and a 'Chien Savant', who knew the Greek alphabet." -- "World of Interiors" "Well researched, it is written in a popular style. It covers animal life from a variety of angles . . . beautifully produced and packed with a variety of well-chosen images, ranging from lithographs and photographs to paintings and cartoons." -- "Times Literary Supplement"