Into the Universe of Technical Images

Paperback / softback

Main Details

Title Into the Universe of Technical Images
Authors and Contributors      By (author) Vilem Flusser
Translated by Nancy Ann Roth
SeriesElectronic Mediations
Physical Properties
Format:Paperback / softback
Pages:224
Dimensions(mm): Height 203,Width 127
ISBN/Barcode 9780816670215
ClassificationsDewey:770.1
Audience
General
Professional & Vocational

Publishing Details

Publisher University of Minnesota Press
Imprint University of Minnesota Press
Publication Date 24 February 2011
Publication Country United States

Description

This work by Vilem Flusser forecasts either the first truly human, infinitely creative society in history or a society of unbearable, oppressive sameness, locked in a pattern it cannot change. First published in German in 1985 and now available in English for the first time, Into the Universe of Technical Images outlines the history of communication technology as a process of increasing abstraction.

Author Biography

Vilem Flusser (1920-1991) was born in Prague; emigrated to Brazil, where he taught philosophy and wrote a daily newspaper colum; and later moved to France. Among his many books that have been translated into English are The Shape of Things, Towards a Philosophy of Photography, The Freedom of the Migrant, and Writings (Minnesota, 2004). Nancy Ann Roth is an arts writer and critic based in the United Kingdom. Mark Poster is professor of history at University of California, Irvine.

Reviews

"Vilem Flusser's flashes of brilliant insight, his intuitions about the psychology of gadgets and convergences, his deeply well-read and philosophically grounded investigations of wide-ranging consequences of a new literacy, are widely admired and deserve an Anglophone audience. Into the Universe of Technical Images and Does Writing Have a Future? are of the first rank in the canon of new media studies and digital culture." -Peter Krapp, author of Deja Vu: Aberrations of Cultural Memory "Perhaps a turn to Flusser will change the disregard for media that so characterizes the cultural theory of the 1970s, 1980s, and 1990s. For Flusser, however flamboyant and polemical his writing at times is, thought deeply about the emergence of electronic media and its implications for not only Western but truly global culture." -Mark Poster, from the Introduction