Wild Things: The Material Culture of Everyday Life

Hardback

Main Details

Title Wild Things: The Material Culture of Everyday Life
Authors and Contributors      By (author) Judy Attfield
SeriesMaterializing Culture
Physical Properties
Format:Hardback
Pages:336
Dimensions(mm): Height 234,Width 156
ISBN/Barcode 9781859733646
ClassificationsDewey:306
Audience
General
Illustrations 30 b&w illustrations, bibliography, index

Publishing Details

Publisher Bloomsbury Publishing PLC
Imprint Berg Publishers
Publication Date 1 December 2000
Publication Country United Kingdom

Description

What do things mean? What does the life of everyday objects after the check-out reveal about people and their material worlds? Has the quest for 'the real thing' become so important because the high tech world of total virtuality threatens to engulf us? This pioneering book bridges design theory and anthropology to offer a new and challenging way of understanding the changing meanings of contemporary human-object relations. The act of consumption is only the starting point in objects' 'lives'. Thereafter they are transformed and invested with new meanings that reflect and assert who we are. Defining design as 'things with attitude' differentiates the highly visible fashionable object from ordinary artefacts that are taken for granted. Through case studies ranging from reproduction furniture to fashion and textiles to 'clutter', the author traces the connection between objects and authenticity, ephemerality and self-identity. But beyond this, she shows the materiality of the everyday in terms of space, time and the body and suggests a transition with the passing of time from embodiment to disembodiment. Shortlisted for the Design History Society Scholarship Prize 2001-2002

Author Biography

Judith Attfield is Senior Lecturer in History and Design at the Winchester School of Art, University of Southampton.

Reviews

'Wild Things is an initial foray into a territory that, for all its ubiquity and ordinariness, remains academically unchartered. For me it is not a book to agree with or disagree with, but a book to think with (and what more could you ask for?).' Journal of Design History