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Beauty and the Contemporary Sublime
Paperback / softback
Main Details
Title |
Beauty and the Contemporary Sublime
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Authors and Contributors |
By (author) Jeremy Gilbert-Rolfe
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Physical Properties |
Format:Paperback / softback | Pages:180 | Dimensions(mm): Height 229,Width 152 |
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Category/Genre | Theory of art Philosophy - aesthetics |
ISBN/Barcode |
9781581150377
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Classifications | Dewey:701.17 |
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Audience | |
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Publishing Details |
Publisher |
Skyhorse Publishing
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Imprint |
Allworth Press,U.S.
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Publication Date |
16 December 1999 |
Publication Country |
United States
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Description
Esteemed critic, painter, and writer Jeremy Gilbert-Rolfe offers a provocative critique of beauty in relation to the contemporary notion of the sublime, which is now found in technology and a high-powered economy rather than in nature. Refuting established views, this book questions today's ideas of beauty, including those applied to contemporary art, and proposes a secular theory of beauty as glamorous rather than good, frivolous rather than serious. An illuminating read, this book provides excellent course material for classes in philosophy, cultural studies, art history, and aesthetics. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Author Biography
Jeremy Gilbert-Rolfe is a critic, painter, and author of several books, including "Beyond Piety: Critical Essays on the Visual Arts 1986-1993" and "Immanence and Contradiction: Recent Essays on the Artistic Device." He has been awarded National Endowment for the Arts fellowships in painting and criticism as well as a Guggenheim fellowship in painting, and was presented the 1998 Frank Jewett Mather Award for Art Criticism by the College Art Association. He teaches in the graduate program at Art Center College of Design in Pasadena, California.
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