Tragic Bodies: Edges of the Human in Greek Drama

Description

Winner of the PROSE Award (2022) for Classics This book argues for a new way of reading tragedy that attends to how bodies in the ancient plays pivot between subject and object, person and thing, living and dead, and so serve as vehicles for confronting the edges of the human. At the same time, it explores the ways in which Greek tragedy pulls up close to human bodies, examining their physical edges, their surfaces and parts, their coverings or nakedness, and their postures and orientations. Drawing on and advancing the latest interplays of posthumanism and materialism in relation to classical literature, Nancy Worman shows how this tragic enactment may seem to emphasize the human body, but in effect does something quite different. Greek drama instead often treats the body as a thing that has the status and implications associated with other objects, such as a cloak, an urn, or a toy for a dog. Tragic Bodies urges attention to key scenes in Greek tragedy that foreground bodily identifiers as semiotic materializing. This occurs when signs with weighty symbolic resonance distil out on the dramatic stage as concrete sites for contention and conflation orchestrated through proximity, contact, and sensory dynamics. Reading the dramatic script in this way pursues the felt knowledge at the body's edges that tragic representation affords, a consideration attuned to how bodies register at tragedy's unique intersections - where directive and figurative language combine to highlight visual, tactile, and aural details.

Nancy Worman is Ann Whitney Olin Professor of Classics and Comparative Literature at Barnard College and Columbia University, New York, USA. She is the author of articles and books on style, performance, and the body in Greek literature and culture. Her books include Virginia Woolf's Greek Tragedy (Bloomsbury Academic, 2018) and Landscape and the Spaces of Metaphor in Ancient Literary Theory and Criticism (2015).

This book is a sophisticated, informed, path-breaking reading of the semiotics of ancient Greek tragedy and aesthesis. -- Ahuvia Kahane, Regius Professor of Greek and A. G. Leventis Professor of Greek Culture, Trinity College Dublin, Ireland