Material Culture, Power, and Identity in Ancient China

Hardback

Main Details

Title Material Culture, Power, and Identity in Ancient China
Authors and Contributors      By (author) Xiaolong Wu
Physical Properties
Format:Hardback
Pages:260
Dimensions(mm): Height 260,Width 185
Category/GenreOriental art
Ancient and classical art BCE to c 500 CE
Ceramic arts, pottery, glass
History
Asian and Middle Eastern history
Archaeology
ISBN/Barcode 9781107134027
ClassificationsDewey:931.03
Audience
Professional & Vocational
Tertiary Education (US: College)
Illustrations 7 Tables, black and white; 5 Maps; 82 Halftones, black and white

Publishing Details

Publisher Cambridge University Press
Imprint Cambridge University Press
Publication Date 9 February 2017
Publication Country United Kingdom

Description

In this book, Xiaolong Wu offers a comprehensive and in-depth study of the Zhongshan state during China's Warring States Period (476-221 BCE). Analyzing artefacts, inscriptions, and grandiose funerary structures within a broad archaeological context, he illuminates the connections between power and identity, and the role of material culture in asserting and communicating both. The author brings an interdisciplinary approach to this study. He combines and cross-examines all available categories of evidence, including archaeological, textual, art historical, and epigraphical, enabling innovative interpretations and conclusions that challenge conventional views regarding Zhongshan and ethnicity in ancient China. Wu reveals the complex relationship between material culture, cultural identity, and statecraft intended by the royal patrons. He demonstrates that the Zhongshan king Cuo constructed a hybrid cultural identity, consolidated his power, and aimed to maintain political order at court after his death through the buildings, sculpture, and inscriptions that he commissioned.

Author Biography

Xiaolong Wu is Associate Professor of Art History at Hanover College, Indiana. He received his BA in Chinese archaeology from Beijing University and his PhD in Art History from the University of Pittsburgh. His research interest focuses on the material culture of late Bronze Age China and its interactions with the Eurasian Steppe, and issues related to ethnicity, hybridity, agency, and political power.