Remembering Popular Music's Past: Memory-Heritage-History

Description

Remembering Popular Music's Past focuses on the transformation of popular music into heritage, and the role of history and memory in this process. The book interrogates diverse examples of the way popular music's past is remembered, with particular emphasis on precarity in the construction, curation, display, negotiation, and perception of popular music's past. Remembering Popular Music's Past capitalises on the growing interest, globally, in the preservation of popular music's material past and on scholarly explorations of the ways in which popular music, as heritage, is produced, legitimised and conferred cultural and historical significance. The chapters in this collection consider the spaces, practices and representations that constitute popular music heritage to elucidate how popular music's past is lived in the present. Thus the focus is on the transformation of popular music into heritage, and the role of history and memory in this process. The cultural studies framework adopted in Remembering Popular Music's Past encompasses unique approaches to popular music historiography, sociology, film analysis, and archival and museal work. Broadly, the collection deals with the precarious nature of popular music heritage, history and memory.

Lauren Istvandity is a postdoctoral research fellow at the Queensland Conservatorium Research Centre at Griffith University, Australia. Her most recent research spans jazz music heritage, archives and museums, and personal memory. Istvandity is the author of The Lifetime Soundtrack: Music and Autobiographical Memory (2019), co-author of Curating Pop: Exhibiting Popular Music in the Museum (2019), and co-editor of The Routledge Companion to Popular Music History and Heritage (2018). Sarah Baker is professor of cultural sociology at Griffith University, Australia. Her current research explores the community heritage sector and the preservation and curation of popular music in museums, archives and halls of fame. Baker is the author of Community Custodians of Popular Music's Past: A DIY Approach to Heritage (2017); co-author of Curating Pop: Exhibiting Popular Music in the Museum (2019) and Creative Labour: Media Work in Three Cultural Industries (2011); editor of Popular Music Heritage: Do-It-Yourself, Do-It-Together (2015); and co-editor of The Routledge Companion to Popular Music History and Heritage (2018), Youth Cultures and Subcultures: Australian Perspectives (2015) and Redefining Mainstream Popular Music (2013). Zelmarie Cantillon is a postdoctoral research fellow in the Griffith Centre for Social and Cultural Research at Griffith University, Australia. Her current research focuses on the intersections between urban identity, heritage and popular culture. Cantillon is the author of Resort Spatiality: Reimagining Sites of Mass Tourism (2019) and co-editor of The Routledge Companion to Popular Music History and Heritage (2018).