Looking for Sex in Shakespeare

Description

One of the best-known and most versatile of Shakespearian scholars considers the extent to which sexual meaning in Shakespeare's writing relies on interpretation by actors, directors and critics. Tracing interpretations of Shakespearian "bawdy" and "innuendo" from the eighteenth-century to the present, Stanley Wells pays special attention to interpretations of A Midsummer Night's Dream, the Sonnets and homosexual relationships in the plays.

Stanley Wells has devoted most of his life to teaching, editing, and writing about Shakespeare and his contemporaries. He was Director of the Shakespeare Institute from 1987 to 1997. He is General Editor of the Oxford editions of Shakespeare, edited King Lear for the multi-volume Oxford Shakespeare, and has been associated with the New Penguin edition, for which he edited several plays, since its inception. His publications include Shakespeare: A Dramatic Life, Shakespeare: For All Time (2002) and (with Paul Edmondson) Shakespeare's Sonnets (forthcoming in 2004). He is editor of Shakespeare on the Stage: An Anthology of Criticism, with E. A Davies of Shakespeare and the Moving Image, with Michael Dobson of The Oxford Companion to Shakespeare, with Margreta da Grazia of The Cambridge Companion to Shakespeare, with Sarah Stanton of The Cambridge Companion to Shakespeare on the Stage, and with Lena Orlin of Shakespeare: An Oxford Guide.

'Looking for Sex in Shakespeare finds one of the most distinguished Shakespearean scholars in top form, witty, erudite and wonderfully sane. Illuminating the deep erotic riddles of the Sonnets, the rich performed life of the plays and the lascivious byways of post-modern criticism with equal insight, this collection is at once sufficiently amusing, serious and sexy to stand alongside the Shakespearean poetry that is its subject.' Michael Dobson '... this book offers clear, good-humoured answers ...' Sunday Times 'The leading scholar Stanley Wells has collected recent lectures on Bardic bawdy at the Globe into this handy packet of three essays.' The Independent '... stimulating and full of good sense; it contrives to be both fair-minded, and a bracing corrective to some current follies.' Sunday Telegraph 'Mr Wells has fun with certain 'lewd interpreters', and everywhere shows a sanity and openness of judgment that critics and actors should note.' The Economist '... thoughtful and amusing ... This is only a little book but it touches on some big theses: the relations between text and script and the different focuses of reader and performer (not always the same thing), as well as the frequent silliness of scholars and actors who are as fallible as the rest of us.' Around the Globe 'Wells really has no equal writing today in terms of Shakespearean criticism and this superb book blows fresh air up the skirts of many a donnish fancy proving finally to be a corrective to many silliness which occlude the meaning of the plays rather than enhancing them.' Birmingham Post 'It is a short, readable volume, which explores its subject with clarity and whose leisurely style reflects its origins in a series of public lectures.' Modern Literary Review