James MacMillan Studies

Paperback / softback

Main Details

Title James MacMillan Studies
Authors and Contributors      Edited by George Parsons
Edited by Robert Sholl
SeriesCambridge Composer Studies
Physical Properties
Format:Paperback / softback
Pages:264
Dimensions(mm): Height 244,Width 170
Category/Genre20th century and contemporary classical music
Religion - general
Christian theology
ISBN/Barcode 9781108716871
ClassificationsDewey:780.92
Audience
Professional & Vocational
Illustrations Worked examples or Exercises; 76 Printed music items; 3 Tables, black and white

Publishing Details

Publisher Cambridge University Press
Imprint Cambridge University Press
Publication Date 10 November 2022
Publication Country United Kingdom

Description

The Scottish composer Sir James MacMillan is one of the major figures of contemporary music, with a world-wide reputation for his modernist engagement with religious images and stories. Beginning with a substantial foreword from the composer himself, this collection of scholarly essays offers analytical, musicological, and theological perspectives on a selection of MacMillan's musical works. The volume includes a study of embodiment in MacMillan's music; a theological study of his St Luke Passion; an examination of the importance of lament in a selection of his works; a chapter on the centrality of musical borrowing to MacMillan's practice; a discussion of his liturgical music; and detailed analyses of other works including The World's Ransoming and the seminal Seven Last Words from the Cross. The chapters provide fresh insights on MacMillan's musical world, his compositional practice, and his relationship to modernity.

Author Biography

George Parsons studied Music at the University of Oxford, where he was Organ Scholar at The Queen's College. He is a Fellow of the Royal College of Organists, an independent researcher and is currently training for Christian ministry at the London Seminary. Robert Sholl is a Professor of Music at the University of West London and teaches at the Royal Academy of Music. He is a performer and writer on music, specialising in twentieth-century music and publishing extensively in this area. He is editor of Contemporary Music and Spirituality (with Sander van Maas, 2016).