Robert Lepage's Original Stage Productions: Making Theatre Global

Hardback

Main Details

Title Robert Lepage's Original Stage Productions: Making Theatre Global
Authors and Contributors      By (author) Karen Fricker
SeriesTheatre: Theory - Practice - Performance
Physical Properties
Format:Hardback
Pages:272
Dimensions(mm): Height 234,Width 156
Category/GenrePerformance art
Individual artists and art monographs
Theatre - technical and background skills
Film theory and criticism
Individual film directors and film-makers
ISBN/Barcode 9780719080067
ClassificationsDewey:792.0232092
Audience
General
Illustrations 32 black & white illustrations, 1 table

Publishing Details

Publisher Manchester University Press
Imprint Manchester University Press
Publication Date 28 July 2020
Publication Country United Kingdom

Description

This book explores the development of Robert Lepage's distinctive approach to stage direction in the early (1984-1994) and middle (1995-2008) stages of his career, arguing that globalisation had a defining effect on shaping his aesthetic and his professional trajectory. In addition to globalisation theory, the book draws on cinema studies, queer theory, and theories of affect and reception. Each of six chapters treats a particular aspect of globalisation, using this as a means to explore one or more of Lepage's productions. Productions discussed include The Dragon's Trilogy, Needles and Opium, and The Far Side of the Moon. Making theatre global: Robert Lepage's original stage productions will be of interest to scholars of contemporary theatre, advanced-level undergraduates, and arts lovers keen for new perspectives on one of the most talked-about theatre artists of the early 21st century. -- .

Author Biography

Karen Fricker is Associate Professor of Dramatic Arts at Brock University in Ontario -- .

Reviews

'...a cohesive yet multifaceted analysis of Lepage's work. Fricker's excellent book, which will hopefully be translated into French, should be required reading in Quebec and in France, where Lepage has been celebrated almost uncritically for too long.' Canadian Theatre Review -- .