To Calais, In Ordinary Time

Description

'Inventive and original' - The Times 'Fans of intelligent historical fiction will be enthralled' - Hilary Mantel Shortlisted for the Walter Scott Prize for Historical Fiction Longlisted for the Orwell Prize for Political Fiction Three journeys. One road. England, 1348. A gentlewoman flees an odious arranged marriage, a proctor sets out for a monastery in Avignon and a young ploughman in search of freedom is on his way to volunteer with a company of archers. All come together on the road to Calais. In the other direction comes the Black Death, the plague that will wipe out half of the population of Northern Europe. To Calais, In Ordinary Time is an exploration of love, death and power, against the backdrop of catastrophe.

James Meek is the author of six novels including The People's Act of Love which was longlisted for the Man Booker Prize, and won both the Royal Society of Literature Ondaatje Prize and the Scottish Arts Council Award. It has been published in more than thirty countries. Meek has also written two collections of short stories and two books of non-fiction, Private Island, which won the 2015 Orwell Prize, and Dreams of Leaving and Remaining. He is a Contributing Editor to the London Review of Books and writes regularly for the Guardian and New York Times. He lives in London. In 2020, To Calais, In Ordinary Time was shortlisted for the Walter Scott Prize for Historical Fiction and longlisted for the Orwell Prize for Political Fiction.

Fans of intelligent historical fiction will be enthralled by a story so original and so fully imagined. Meek shows the era as alien, which it is, and doesn't falsify it by assimilating it to ours. But his characters are recognisably warm and human -- HILARY MANTEL An inventive and original novel that captures the distant past and pins it to the page * * The Times, Book of the Month * * A glorious imaginative feat, full of complex, compelling, believable characters. Rarely have I been so captivated by a novel, so keen to hurry back to it and reimmerse myself in its world -- SARAH WATERS Meek's novel about the Black Death of 1348 has acquired an entirely unpredictable topicality . . . Captivating . . . Meek captures the mystery, squalor and occasional beauty of its medieval setting perfectly, and the encroaching horror that awaits all its characters gives the fascinating narrative an awful but compelling momentum * * Observer * * Meek employs great linguistic invention and remarkable imagination to conjure up a world in which readers rapidly become immersed * * Sunday Times, Books of the Year * * An astounding linguistic fantasy about the advent of the Black Death. French, Anglo-Saxon and Latin collide in a world of fake news, uncertain sexual borders and the dread of a catastrophe which looks in some ways very much like our own -- PHILIP HENSHER * * Spectator, Books of the Year * * Meek brilliantly creates a variety of voices, and a language appropriate to the 14th century, for a story of the distant past with unsettling echoes of the present * * Sunday Times * * A triumphant medieval fable . . . At the centre of this beautiful novel is an exploration of the difference between romance and true love, allegory and reality, history and the present. It plays out in unexpected and delightful ways, and it would be unfair to make these explicit. To Calais, In Ordinary Time ends with a consummation both of its technique and of its story that is affirming, tender and a little bit glorious * * Guardian * * Ambitious . . . Through skilful deployment of language, Meek manages to craft a living, breathing world populated with characters that come alive in the mind . . . This is a fine novel that seems to speak across centuries with more than the likeness of truth * * Financial Times * * An extraordinary act of literary ventriloquism . . . A stained-glass window to the past . . . Be it essay or article, novel or short story, as a writer and time traveller James Meek does things differently and as readers we are all the better for that * * Sunday Times * *