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Wrestling with Shylock: Jewish Responses to The Merchant of Venice
Hardback
Main Details
Title |
Wrestling with Shylock: Jewish Responses to The Merchant of Venice
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Authors and Contributors |
Edited by Edna Nahshon
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Edited by Michael Shapiro
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Physical Properties |
Format:Hardback | Pages:452 | Dimensions(mm): Height 235,Width 158 |
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Category/Genre | Literature - history and criticism Historical fiction Judaism |
ISBN/Barcode |
9781107010277
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Classifications | Dewey:822.33 |
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Audience | Professional & Vocational | |
Illustrations |
51 Halftones, black and white
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Publishing Details |
Publisher |
Cambridge University Press
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Imprint |
Cambridge University Press
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Publication Date |
10 March 2017 |
Publication Country |
United Kingdom
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Description
Shakespeare's The Merchant of Venice occupies a unique place in world culture. As the fictional, albeit iconic, character of Shylock has been interpreted as exotic outsider, social pariah, melodramatic villain and tragic victim, the play, which has been performed and read in dozens of languages, has served as a lens for examining ideas and images of the Jew at various historical moments. In the last two hundred years, many of the play's stage interpreters, spectators, readers and adapters have themselves been Jews, whose responses are often embedded in literary, theatrical and musical works. This volume examines the ever-expanding body of Jewish responses to Shakespeare's most Jewishly relevant play.
Author Biography
Edna Nahshon is Professor of Theatre and Drama at the Jewish Theological Seminary in New York City and Senior Associate at Oxford's Centre for Hebrew and Jewish Studies. Michael Shapiro is Emeritus Professor of English at the University of Illinois. He is a founder and director of the Program in Jewish Culture and Society.
Reviews'This is a superb and fascinating collection of essays that produces new thinking on the play, in terms not only of its complex and provocative history but also of the ways in which the 'problem of Shylock' continues to reinvent and reinvigorate questions about the relationship between history and story, performance and complicity. It is a very important collection for any Shakespearian who understands the power of the play, and the legacies, as well as spectres, of theatrical history.' Charlotte Scott, Shakespeare Survey
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