Maskerade: (Discworld Novel 18)

Description

The eighteenth Discworld novel. 'Cracking dialogue, compelling illogic and unchained whimsy . . .' Sunday Times The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . . What sort of person sits down and writes a maniacal laugh? And all those exclamation marks, you notice? Five? A sure sign of someone who wears his underpants on his head. Opera can do that to a man . . . It can also bring Death. And plenty of it. In unpleasant variations. This isn't real life - it's worse. This is the Opera House, Ankh-Morpork . . . a huge, rambling building where innocent young sopranos are being targeted by a strangely familiar evil mastermind in a mask and evening dress and with a penchant for lurking in shadows and occasional murder. But Granny Weatherwax, Discworld's most formidable witch, is in the audience. And she doesn't hold with that sort of thing. There's going to be trouble (but nevertheless a good evenin's entertainment with murders you can really hum to) and the show MUST go on. ____________________ The Discworld novels can be read in any order but Maskerade is the fifth book in the Witches series.

Terry Pratchett was the acclaimed creator of the global bestselling Discworld series, the first of which, The Colour of Magic, was published in 1983. In all, he was the author of over fifty bestselling books which have sold over 100 million copies worldwide. His novels have been widely adapted for stage and screen, and he was the winner of multiple prizes, including the Carnegie Medal. He was awarded a knighthood for services to literature in 2009, although he always wryly maintained that his greatest service to literature was to avoid writing any. www.terrypratchettbooks.com

'Pratchett is as funny as Wodehouse and as witty as Waugh' * Independent * 'The great Terry Pratchett, whose wit is metaphysical, who creates an energetic and lively secondary world, who has a multifarious genius for strong parody ... who deals with death with startling originality. Who writes amazing sentences' * New York Times * 'Like Jonathan Swift, Pratchett uses his other world to hold up a distorting mirror to our own, and like Swift he is a satirist of enormous talent ... incredibly funny ... compulsively readable' * The Times * 'Cracking dialogue, compelling illogic and unchained whimsy...Pratchett has a subject and a style that is very much his own' * Sunday Times * 'Entertaining and gloriously funny' * Chicago Tribune *