Science Fiction and Narrative Form

Description

Locating science fiction as its own distinct and increasingly important narrative form, this book explores how the genre challenges pervasive perceptions of society as presented in the conventional modern novel. Inspired by, and building upon, Georg Lukacs's criticism of the orthodox novel for its depiction of life as alienating and disjointed, Milner, Murphy and Roberts posit that science fiction steps beyond this contemporary form to be a more constructive literature, better able to conceive of society as complete, integrated and well-rounded. Taking stock of three kinds of science fiction which lie outside the scope of the modern novel - theological or ontological science fiction, the science fiction of future history and epic science fiction - this book demonstrates science fiction's unique capacity to encapsulate the whole world, persons and events, things and objects in a glance, and address the motive behind the wish for a meaningful totality. With reference to a vast array of works by authors such as Michel Houellebecq, Elias Canetti, Isaac Asimov, Jules Verne, H. G. Wells, Aldous Huxley, Marge Piercy, Iain M. Banks, Margaret Atwood, Ursula K. Le Guin, William Gibson, Dirk C. Fleck, Philip K. Dick, George Orwell and Kazuo Ishiguro, this book offers a compelling argument for rethinking the position and potential of the science fiction novel and to challenge the way we perceive our culture.

Andrew Milner is Emeritus Professor at Monash University, Australia. His publications include Locating Science Fiction (2012), Again, Dangerous Visions: Essays in Cultural Materialism (2018), (with J. R. Burgmann) Science Fiction and Climate Change: A Sociological Approach (2020). Peter Murphy is Adjunct Professor at La Trobe University and James Cook University, Australia. His publications include The Political Economy of Prosperity: Successful Societies and Productive Cultures (2020), The Collective Imagination: The Creative Spirit of Free Societies (2012) and Dialectic of Romanticism: A Critique of Modernism (2004). David Roberts is Emeritus Professor, School of Languages and Cultures, Monash University, Australia. His publications include History of the Present: The Contemporary and its Culture (2021), The Total Work of Art in European Modernism (2011) and Dialectic of Romanticism: A Critique of Modernism (2004).

Science Fiction and Narrative Form argues that, amid escalating anthropogenic crises, science fiction is essential: only the genre's historicizing imperative and epic scale, its peculiar temporalities and world-building strategies, its absent gods and invisible hands, can make up for the parochial, exhausted literary novel. Magisterial, nuanced - and highly recommended. * Mark Bould, Reader in Film & Literature, Faculty of Arts, Creative Industries, and Education, University of West England, UK *