Only When I Larf

Description

A comedy thriller about three New York con artists whose biggest heist goes awry The three confidence tricksters had a style that earned them millions. Silas was the leader, slick and self-assured - but dissatisfied. Bob was the junior partner, longing for the open road where pickings were rich and the living was easy. And Liz, Silas' mistress, was in between. Theirs was a built-in love triangle with its own rewards ... and its own dangers. In New York these con-artists do a 'business deal' worth millions. But back in London Silas' plan to bilk an emergent African nation misfires. Then Bob takes over the running of the operation - and Liz. A Beirut bank is their target and each member of the trio gets what he or she deserves - each with a twist of lemon.

Len Deighton was born in 1929 in London. He did his national service in the RAF, went to the Royal College of Art and designed many book jackets, including the original UK edition of Jack Kerouac's On the Road. The enormous success of his first spy novel, The IPCRESS File (1962), was repeated in a remarkable sequence of books over the following decades. These varied from historical fiction (Bomber, perhaps his greatest novel) to dystopian alternative fiction (SS-GB) and a number of brilliant non-fiction books on the Second World War (Fighter, Blitzkrieg and Blood, Tears and Folly). His spy novels chart the twists and turns of Britain and the Cold War in ways which now give them a unique flavour. They preserve a world in which Europe contains many dictatorships, in which the personal can be ruined by the ideological and where the horrors of the Second World War are buried under only a very thin layer of soil. Deighton's fascination with technology, his sense of humour and his brilliant evocation of time and place make him one of the key British espionage writers, alongside John Buchan, Eric Ambler, Ian Fleming and John Le Carre.

For sheer readability he has no peer. * Evening Standard * Deighton has shown himself to be the most protean of British best-sellers. -- John Sutherland * London Review of Books * What raises Deighton's genre to art is not only his absorbing characters but his metaphoric grace, droll wit, command of technical detail ... and sure sense of place. -- Andy Solomon * Washington Post *