The Abbess of Crewe

Hardback

Main Details

Title The Abbess of Crewe
Authors and Contributors      By (author) Muriel Spark
Introduction by Ali Smith
Series edited by Alan Taylor
SeriesThe Collected Muriel Spark Novels
Physical Properties
Format:Hardback
Pages:108
Dimensions(mm): Height 205,Width 135
Category/GenreModern and contemporary fiction (post c 1945)
Crime and mystery
ISBN/Barcode 9781846974373
Audience
General
Edition Centenary Edition

Publishing Details

Publisher Birlinn General
Imprint Birlinn Ltd
Publication Date 7 June 2018
Publication Country United Kingdom

Description

It is time to elect a new abbess at the Convent of Crewe. There are two contenders: nuns Alexandra and Felicity. Alexandra is busy bugging the convent while Felicity calls the police when her love letters (to a young Jesuit priest) are stolen. A brilliant laugh-out-loud satire on the Watergate scandal. This is one of the 22 novels written by Muriel Spark in her lifetime. All are being published by Polygon in hardback Centenary Editions between November 2017 and September 2018.

Author Biography

Muriel Spark was born in Edinburgh in 1918. A poet, essayist, biographer and novelist, she won much international praise, including being twice shortlisted for the Booker Prize. The Times placed her eighth in its list of the Fifty Greatest British Writers Since 1945. She died in Tuscany in 2006. Ali Smith was born in Inverness in 1962. She studied at the University of Aberdeen and Newham College, Cambridge. Her first book, Free Love and Other Stories (1995) won the Saltire First Book of the Year award and a Scottish Arts Council Book Award. Her novel Autumn was shortlisted for the 2017 Man Booker. She lives in Cambridge.

Reviews

'As I entered my teens, I developed a taste for more arch, snappy writing and discovered the joys of Muriel Spark. Wisdom and wit - ideal for an impressionable youth finding his way in the world' -- Julian Clary * Daily Mail * 'With her wildly comic fiction Spark alerts us to the workings of surveillance, the workings of politically expedient narrative structures, and the powerplay in the seductions of fiction' -- Ali Smith * The Guardian *