The Love Child

Description

'What was she? Not a child, for she was seventeen, and taller than Kitty: not a girl, for she floated like a feather, and flew into trees like a bird; not a spirit - she was human to touch. But to-night she was all made of mischief and magic, remote form him, and yet calling him to here . . .'At thirty-two, her mother dead, Agatha Bodenham finds herself quite alone. She summons back to life the only friend she ever knew, Clarissa, the dream companion of her childhood. At first Clarissa comes by night, and then by day, gathering substance in the warmth of Agatha's obsessive love until it seems that others too can see her. See, but not touch, for Agatha has made her love child for herself alone. No man may approach her elfin creation of perfect beauty. If he does, the love which summoned her can spirit her away . . .The Love Child (1927) was Edith Olivier's first novel, acknowledged as a minor masterpiece: a perfectly imagined fable and a moving and perceptive portrayal of unfulfilled maternal love.

Edith Olivier (1872-1948) was born in the Rectory at Wilton, Wiltshire, in the late 1870s. Her father was Rector there and later Canon of Salisbury. She came from an old Huguenot family which had been living in England for several generations, and was one of a family of ten children. She was educated at home until she won a scholarship to St Hugh's College, Oxford. Her first novel, The Love Child, was published in 1927 and there followed four works of fiction: As Far as Jane's Grandmother's (1928), The Triumphant Footman (1930), Dwarf's Blood (1930) and The Seraphim Room (1932). Her works of non-fiction were The Eccentric Life of Alexander Cruden (1934), Mary Magdalen (1934), Country Moods and Tenses (1941), Four Victorian Ladies of Wiltshire (1945), Night Thoughts of a Country Landlady (1945), her autobiography, Without Knowing Mr. Walkley (1938) and, posthumously published, Wiltshire (1951). Edith Olivier spent her life within twenty miles of her childhood home, and died in her beloved Wilton in 1948.

This is wonderful ... -- Cecil Beaton The Love Child seems to me to stand in a category of its own creating ... the image it leaves is that of a tranquil star -- Anne Douglas Sedgwick Flawless - the best 'first book' I have ever read ... perfect -- Sir Henry Newbolt A masterpiece of its kind -- Lord David Cecil