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Faces In The Water
Paperback / softback
Main Details
Title |
Faces In The Water
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Authors and Contributors |
By (author) Janet Frame
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Introduction by Hilary Mantel
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Series | Virago Modern Classics |
Physical Properties |
Format:Paperback / softback | Pages:240 | Dimensions(mm): Height 133,Width 181 |
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Category/Genre | Modern and contemporary fiction (post c 1945) |
ISBN/Barcode |
9781844084616
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Classifications | Dewey:823 |
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Audience | |
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Publishing Details |
Publisher |
Little, Brown Book Group
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Imprint |
Virago Press Ltd
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Publication Date |
5 March 2009 |
Publication Country |
United Kingdom
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Description
I was now an established citizen with little hope of returning across the frontier; I was in the crazy world, separated now by more than locked doors and barred windows from the people who called themselves sane.' When Janet Frame's doctor suggested that she write about her traumatic experiences in mental institutions in order to free herself from them, the result was Faces in the Water, a powerful and poignant novel. Istina Mavet descends through increasingly desolate wards, with the threat of leucotomy ever present. As she observes her fellow patients, long dismissed by hospital staff, with humour and compassion, she reveals her original and questing mind. This riveting novel became an international classic, translated into nine languages, and has also been used as a medical school text.
Author Biography
Janet Frame (1924-2004) is New Zealand's most famous writer. She was a novelist, poet, essayist and short-story writer. Her autobiography inspired Jane Campion's acclaimed film, 'An Angel at My Table'. She was an honorary foreign member of the American Academy of Arts and Literature and won the Commonwealth Literature Prize. In 1983 she was awarded the CBE.
Reviews'One of the most impressive accounts of madness to be found in literature ... A masterpiece' Anita Brookner 'What an extraordinary woman she is, overcoming such obstacles, and making fresh and good use of them in her work' Doris Lessing 'Lyrical, touching and deeply entertaining' John Mortimer, Observer
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