Less Than Zero

Paperback / softback

Main Details

Title Less Than Zero
Authors and Contributors      By (author) Bret Easton Ellis
Introduction by Ottessa Moshfegh
SeriesPicador Classic
Physical Properties
Format:Paperback / softback
Pages:208
Dimensions(mm): Height 197,Width 130
Category/GenreModern and contemporary fiction (post c 1945)
ISBN/Barcode 9781509870158
ClassificationsDewey:813.6
Audience
General

Publishing Details

Publisher Pan Macmillan
Imprint Picador
Publication Date 7 March 2019
Publication Country United Kingdom

Description

With an introduction by novelist Ottessa Moshfegh Eighteen-year-old college student Clay is back in his hometown of Los Angeles for Christmas break. Clay is three things: rich, bored and looking to get high. As he reacquaints himself with a familiarly limitless world of privilege, along with his best friend and his ex, his shocking, stunning and disturbing adventure is filled with non-stop drinking in glamorous nightclubs, drug-fuelled parties, and endless sexual encounters. Published in 1985, when Bret Easton Ellis was just twenty-one, Less Than Zero is a fierce coming-of-age story which quickly defined a genre. A cult classic beloved for its dogged portrayal of hedonistic youth and the morally depraved, this extraordinary and instantly famous novel is a landmark in modern fiction: an inventive, precocious and invigorating story of getting what you want when you want it.

Author Biography

Bret Easton Ellis is the author of multiple novels including Less Than Zero, The Rules of Attraction, American Psycho, Glamorama, Lunar Park and Imperial Bedrooms, which was a Sunday Times Top Ten Bestseller, and a collection of stories, The Informers. His work has been translated into twenty-seven languages and several have been made into films. He lives in Los Angeles.

Reviews

An extraordinarily accomplished first novel. * New Yorker * The Catcher in the Rye for the MTV generation. * USA Today * One of the most disturbing novels I've read in a long time. It possesses an unnerving air of documentary reality. -- Michiko Kakutani * New York Times *