David Golder

Description

Published to coincide with the Vintage paperback edition of Suite Francaise. From the author of the bestselling Suite Fran aise. Translated by Sandra Smith, with an introduction by Patrick Marnham. In 1929, 26-year-old Ir ne Nemirovsky shot to fame in France with the publication of her second novel David Golder. At the time, only the most prescient would have predicted the events that led to her extraordinary final novel Suite Fran aise and her death at Auschwitz. Yet the clues are there in this astonishingly mature story of an elderly Jewish businessman who has sold his soul. Golder is a superb creation. Born into poverty on the Black Sea, he has clawed his way to fabulous wealth by speculating on gold and oil. When the novel opens, he is at work in his magnificent Parisian apartment while his wife and beloved daughter, Joyce`, spend his money at their villa in Biarritz. But Golder's security is fragile. For years he has defended his business interests from cut-throat competitors. Now his health is beginning to show the strain. As his body betrays him, so too do his wife and child, leaving him to decide which to pursue- revenge or altruism? Available for the first time since 1930, David Golder is a page-turningly chilling and brilliant portrait of the frenzied capitalism of the 1920s and a universal parable about the mirage of wealth.

Ir ne Nemirovsky was born in Kiev in 1903, the daughter of a successful Jewish banker. In 1918 her family fled the Russian Revolution for France where she became a bestselling novelist, author of David Golder, Le Bal and other works published in her lifetime or soon after, as well as the posthumous Suite Fran aise and Fire in the Blood. In July 1942 she was arrested by the French police and interned in Pithiviers concentration camp, and from there immediately deported to Auschwitz where she died in August 1942.

Her deceptively simply and understated style is best suited to shorter fiction: her touch is light, but with an underlying darkness that bears witness to exile, marginality and existential frustration -- Aamer Hussein * Independent * This is a writer of rare power, make no mistake * Evening Standard * A sordid tragedy that makes us for the thousandth time question the worth of human existence. The impression remains with the reader that it is the work of a woman who has the strength of one of the masters like Balzac or Dostoyevsky * New York Times, 1930 * A powerful description of a man's relentless decline -- Ian Critchley * Sunday Times * Striking first work, sensitively translated by Sandra Smith * Sunday Telegraph *