The Ghost Writer

Description

The Ghost Writer introduces Nathan Zuckerman in the 1950s; a budding writer infatuated with the Great Books, discovering the contradictory claims of literature and experience while an overnight guest in the secluded New England farmhouse of his literary idol, E. I. Lonoff. At Lonoff's, Zuckerman meets Amy Bellette, a haunting young woman of indeterminate foreign background who turns out to be a former student of Lonoff's and who may also have been his mistress. Zuckerman, with his active, youthful imagination, wonders if she could be the paradigmatic victim of Nazi persecution. If she were, it might change his life...The first volume of the trilogy and epilogue Zuckerman Bound, The Ghost Writer is about the tensions between literature and life, artistic truthfulness and conventional decency - and about those implacable practitioners who live with the consequences of sacrificing one for the other.

In 1997 Philip Roth won the Pulitzer Prize for American Pastoral. In 1998 he received the National Medal of Arts at the White House, and in 2002 the highest award of the American Academy of Arts and Letters, the Gold Medal in Fiction, previously awarded to John Dos Passos, William Faulkner and Saul Bellow, among others. He has twice won the National Book Award and the National Book Critics Circle Award. He has won the PEN/Faulkner Award three times. In 2005 The Plot Against America received the Society of American Historians' Prize for 'the outstanding historical novel on an American theme for 2003-2004'. Recently Roth received PEN's two most prestigious prizes: in 2006 the PEN/Nabokov Award 'for a body of work ... of enduring originality and consummate craftsmanship' and in 2007 the PEN/Saul Bellow Award for Achievement in American Fiction, given to a writer whose 'scale of achievement over a sustained career ... places him or her in the highest rank of American literature'. In 2011 Roth won the International Man Booker Prize. Roth is the only living American writer to have his work published in a comprehensive, definitive edition by the Library of America.

Roth's best novel yet * London Review of Books * I had only to read the two opening sentences to realize that I was once again in the hands of a superbly endowed storyteller * New York Review of Books * Further evidence that Roth can do practically anything with fiction. His narrative power - the ability to delight the reader simultaneously with the telling and the tale - is superb * Washington Post * His prose is immaculate yet curiously plain and unostentatious, as natural as brething -- Al Alvarez