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Eight Months on Ghazzah Street
Paperback / softback
Main Details
Title |
Eight Months on Ghazzah Street
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Authors and Contributors |
By (author) Hilary Mantel
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Physical Properties |
Format:Paperback / softback | Pages:320 | Dimensions(mm): Height 198,Width 129 |
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Category/Genre | Modern and contemporary fiction (post c 1945) |
ISBN/Barcode |
9780007172917
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Classifications | Dewey:823.914 |
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Audience | |
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Publishing Details |
Publisher |
HarperCollins Publishers
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Imprint |
HarperPerennial
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Publication Date |
7 June 2004 |
Publication Country |
United Kingdom
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Description
Mantel's prescient and haunting novel of life in Saudi Arabia, reissued to coincide with publication of GIVING UP THE GHOST. 'Horrifyingly gripping. It urges the reader to suspend normal life entirely until the book is read. ' Grace Ingoldby, Sunday TimesFrances Shore is a cartographer by trade, a maker of maps, but when her husband's work takes her to Saudi Arabia she finds herself unable to map the Kingdom's areas of internal darkness. The regime is corrupt and harsh, the expatriates are hard-drinking money-grubbers, and her Muslim neighbours are secretive, watchful. The streets are not a woman's territory; confined in her flat, she finds her sense of self begin to dissolve. She hears whispers, sounds of distress from the 'empty' flat above her head. She has only rumours, no facts to hang on to, and no one with whom to share her creeping unease. As her days empty of certainty and purpose, her life becomes a blank -- waiting to be filled by violence and disaster.
Author Biography
Hilary Mantel was born in Derbyshire. She was educated at a convent and later studied law. After ten years abroad in Africa and the Middle East, she returned to Britain in 1985 to make a career as a writer. She is working on her ninth novel
Reviews'A peculiar fear emanates from this narrative: I dread to think what it did to the writer herself.' Anita Brookner, Spectator'A Middle Eastern Turn of the Screw with an insidious power to grip.' Robert Irwin, Time Out'A memorably appalled and hellishly funny novel.' Christopher Wordsworth, Guardian'A stunning Orwellian nightmare.' Literary Review
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