Bullet Proof: I Wish I Was

Paperback / softback

Main Details

Title Bullet Proof: I Wish I Was
Authors and Contributors      By (author) Christopher Scoates
By (author) Dick Hebdige
By (author) J.Fiona Ragheb
Edited by Thom Yorke
Physical Properties
Format:Paperback / softback
Pages:288
Dimensions(mm): Height 235,Width 184
Category/GenreIndividual designers
Theatre - technical and background skills
ISBN/Barcode 9780811874588
ClassificationsDewey:792.025
Audience
General
Illustrations 180 photos

Publishing Details

Publisher Chronicle Books
Imprint Chronicle Books
Publication Date 16 March 2011
Publication Country United States

Description

Projects (by concert tour) are shown with multiple photographs in grids to aptly display the lighting design, along with some technical illustrations. With an introduction by Radiohead singer Thom Yorke, this book will include essays by Chris Scoates, Director, University Art museum, California State University, Long Beach, British media theorist Dick Hebdige (Subculture: The Meaning of Style,1979, Cut'n'Mix, 1987, Hiding in the Light, 1988); and historian J. Fiona Ragheb*, (Dan Flavin: The Architecture of Light, 2000 and Frank Gehry, Architect, 2003) along with in-depth interviews with Watson and his collaborators.

Author Biography

A native of England, Chris Scoates is a curator whose interests encompass contemporary art, media art and technology, and music, as well as their relationship to contemporary culture. He is currently organizing a series of art and technology exhibitions, which offer an unprecedented investigation of digital media's impact on contemporary art and visual culture. These projects include Sound Oasis, an outdoor three-dimensional audio environment with twelve sound artists; TAMPER: A Gestural Interface for Cinematic Design, a participatory work that fused cutting-edge technology with the practice of film design; and Brian Eno: 77 Million Paintings, an installation of constantly changing images and musical compositions which challenged the presumptive authorial control of the artist.