Wartime Kiss: Visions of the Moment in the 1940s

Description

Examines an array of forgotten images and movie episodes - from a photo of Jimmy Stewart and Olivia de Havilland lying on a picnic blanket in Santa Barbara hills to scenes from films as "Twelve O'Clock High" and "Hold Back the Dawn". This book reveals background of these bits of film and discovers unexpected connections between war and Hollywood.

Alexander Nemerov is the Carl and Marilynn Thoma Provostial Professor in the Arts and Humanities at Stanford University. He is the author of five previous books, including "To Make a World: George Ault and 1940s America", "Icons of Grief: Val Lewton's Home Front Pictures", and "Acting in the Night: "Macbeth" and the Places of the Civil War".

"Beginning with Alfred Eisenstaedt's famous image of a sailor kissing a nurse in Times Square at the end of the Second World War, the art historian Alexander Nemerov's Wartime Kiss examines photos and film stills from the war period and later in the nineteen-forties. Many of the images collected here are lesser-known or obscure, and the more recognizable ones he interprets in surprising ways... By providing the stories behind these images, he examines the ties between war and Hollywood, romance and violence, and provides a glimpse into a particular moment in American history."--New Yorker, Page-Turner blog "As art historian Nemerov reminds us in this exceptional set of reflections on photography and history, photographs bring a lost moment and person directly into our view, so that what was and what is coalesce in eerie combination... Nemerov's radiant meditations cast a penetrating glance into the moments captured in the photos and the larger stories they reflect."--Publishers Weekly "Alexander Nemerov is preoccupied with photographic or cinematic images that trigger 'a piercing, wounding sensation without explanation,' or as Roland Barthes' put it, a punctum... In Wartime Kiss, his speculative study of American movie scenes and photojournalism of World War II, Nemerov 'tries to imagine a different way of writing history' that addresses and tries to illuminate the renegade aspects of the moment that seem to lurk within or just beyond the images... The many pleasures of Wartime Kiss hinge on Nemerov's assemblage of anecdote and related fact."--Ron Slate, On the Seawall "This stunning book defies easy categorization... [A] personal meditation on why we love art and the movies and the enduring power of popular culture to transcend its own moment in time... Nemerov does the world, or at least avid film fans, a great service... Indeed, the book flows in time like a beautifully made movie... Reading Wartime Kiss is something akin to flying."--Farisa Khalid, PopMatters "In this engagingly written, even poetic book, Nemerov views selected images from films and photographs of the 1940s... Through the experience of reading this extraordinary historical meditation, students will learn how they can engage, and engage others, in pursuing a personal and social understanding of history."--Choice