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Pietre Dure and the Art of Florentine Inlay
Hardback
Main Details
Title |
Pietre Dure and the Art of Florentine Inlay
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Authors and Contributors |
By (author) Annamaria Giusti
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Physical Properties |
Format:Hardback | Pages:264 | Dimensions(mm): Height 330,Width 245 |
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Category/Genre | Decorative arts Antique furniture and furniture collecting |
ISBN/Barcode |
9780500512975
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Classifications | Dewey:749.09 |
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Audience | Tertiary Education (US: College) | |
Illustrations |
with over 220 colour illustrations
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Publishing Details |
Publisher |
Thames & Hudson Ltd
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Imprint |
Thames & Hudson Ltd
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Publication Date |
10 July 2006 |
Publication Country |
United Kingdom
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Description
From the ancient history of decorative stonework comes a very special artistic phenomenon, and this richly illustrated, large-format book tells its fascinating story. The phenomenon is pietre dure, or polychrome hardstone inlay, which resurfaced in Rome in the sixteenth century, within the context of the artistic flowering of the Italian Renaissance. Rome, where art took its inspiration from the cult of antiquity, fell in love with the evocative power of hardstones. Tabletops were covered in stones, inlaid into delicate floral panels or shining out, from ovals of opalescent alabaster. From Rome, pietre dure spread to Florence, where the Medici family founded a prestigious workshop in 1588, dedicated to the production of hardstone works using materials such as coral, garnet, jasper and lapis lazuli. The art flourished for three centuries, thanks to the virtuoso skills of the finest craftsmen. Other workshops were founded at the Court of Rudolf II in Prague, and of Louis XIV in France, before spreading to Naples and Madrid under the Bourbon dynasty. In this way, Florentine inlay grew to become a tirelessly imaginative artistic language, capable of imbuing works of decorative art with the most astonishing beauty and creating masterpieces which still glow just as brightly today, long after the fall of their royal patrons. This book brilliantly captures the beauty and craftsmanship of this ancient technique, illustrating in scores of dazzling photographs outstanding examples of pietre dure, including works designed for the Cappella dei Principi, Florence, and the Schloss Favorite, Rastatt.
Author Biography
Annamaria Giusti is Chief Curator, Opificio delle Pietre Dure e Laboratori di Restauro in Florence.
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