Alphonse Mucha

Hardback

Main Details

Title Alphonse Mucha
Authors and Contributors      Edited by Tomoko Sato
Physical Properties
Format:Hardback
Pages:248
Dimensions(mm): Height 280,Width 216
Category/GenrePainting and paintings
Individual artists and art monographs
Exhibition catalogues and specific collections
ISBN/Barcode 9788857232430
ClassificationsDewey:709.2
Audience
General
Illustrations Illustrated in colour and black and white throughout

Publishing Details

Publisher Skira
Imprint Skira
Publication Date 2 February 2017
Publication Country Italy

Description

Alphonse Mucha was an extraordinarily prolific and versatile artist who made his mark in the diverse fields of design - including posters, jewellery, interior decoration, theatre, packaging and product designs - as well as in painting, book illustration, sculpture and photography. He is one of the best-known Czech artists to wide international audiences today and rose to international fame in fin-de- siecle Paris with his elegant designs for theatre posters for Sarah Bernhardt, the most famous French actress of the time, and decorative panels (anneaux decoratifs ) featuring gracefully posed women. For those posters Mucha created a distinctive style - "le style Mucha" - characterised by harmonious compositions, sinuous forms, organic lines and a muted palette, which became synonymous with the newly emerging decorative style of the time - Art Nouveau. By the time of the Paris Exposition Universelle of 1900, Mucha had become a leading figure in this decorative art movement, who defined the look of the era. The catalogue explores the development of Mucha's career and overall achievements as a multifaceted and visionary artist. It is divided into six sections, highlighting Mucha's personality as Bohemian; picture maker for people; cosmopolitan; mystic; patriot and philosopher.

Author Biography

Tomoko Sato is the Mucha Foundation's curator.

Reviews

Mucha's version of Art Nouveau is a pre-modern graphic art that looks post-modern as it bends the mind towards the incomprehensible: a vantage point, at the time, from which to start to breakout of a Renaissance perspective position towards a more supple non-Euclidean modern awareness.--Joseph Nechvatal "Hyperallergic"