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Contemporary Art Colombia
Hardback
Main Details
Title |
Contemporary Art Colombia
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Authors and Contributors |
Edited by Hossein Amirsadeghi
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By (author) Catherine Petitgas
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Physical Properties |
Format:Hardback | Pages:304 | Dimensions(mm): Height 290,Width 248 |
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Category/Genre | Art and design styles - from c 1960 to now |
ISBN/Barcode |
9780500970768
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Classifications | Dewey:709.051 |
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Audience | |
Illustrations |
Illustrated in colour and black and white throughout
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Publishing Details |
Publisher |
Thames & Hudson Ltd
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Imprint |
Thames & Hudson Ltd
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Publication Date |
8 December 2016 |
Publication Country |
United Kingdom
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Description
Colombia's contemporary art scene - one of the most vibrant in Latin America - nevertheless remains relatively undocumented outside that country. With profiles of 90 key players and four critical essays, Contemporary Art Colombia captures the renewed dynamism of the Colombian art world. Contemporary Art Colombia features the key figures, museums and spaces so integral to the booming Colombian art scene, including public institutions such as the Museo del Banco de la Republica in Bogota and the Medellin Museo de Arte Moderno; private initiatives such as Art Fair ArtBo; private institutions such as Flora and Fundacion Misol; commercial galleries such as Bogota-based Casas Riegner and Instituto de Vision; artists such as Doris Salcedo, Carlos Motta, Edinson Quinones, and Oscar Munoz; and well-established figures like Celia de Birbragher, the founder and editor of Latin America's leading art magazine, ArtNexus.
Author Biography
Hossein Amirsadeghi is a writer, publisher, editor and documentary film maker, and the driving force behind many books, including Sanctuary, Art Studio America, Nordic Contemporary and Contemporary Art Mexico. Catherine Petitgas is a lecturer in Modern and Contemporary Art, specialising in Latin America. She has been a member of the Tate Latin American Acquisitions Committee and the Council of the Serpentine Gallery since 2004, as well as a member of the Acquisitions Commission of Centre Pompidou.
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