A Life of Picasso Volume I: 1881-1906

Description

The first volume of John Richardson's extraordiinary biography of Picasso From 1950 to 1962, John Richardson lived near Picasso in France and was a friend of the artist. With a view to writing a biography, the acclaimed art historian kept a diary of their meetings. After Picasso's death, his widow Jacqueline collaborated in the preparation of this work, giving Richardson access to Picasso's studio and papers. Volume one of this extraordinary biography establishes the complexity of Picasso's Spanish roots; his aversion to his native Malaga and his passion for Barcelona and Catalan "modernisme". Richardson introduces new material on the artist's early training in religious art; re-examines old legends to provide fresh insights into the artistic failures of Picasso's father as an impetus to his sons's triumphs; and includes portraits of Apollinaire, Max Jacob and Gertrude Stein, who made up "The Picasso Gang" in Paris during the "Blue" and "Rose" periods.

John Richardson was born in London in 1924. He studied art at the Slade School but soon gave up painting for art criticism. In 1949 he moved to France, where he lived for the next twelve years, befriending Picasso, Braque, Leger, and Cocteau. In the early 1960s Richardson moved to New York, where he was appointed head of Christie's US operation, and eventually became a full-time writer and editor. He has published books on Manet and Braque and is a contributor to The New York Review of Books, The New Yorker, and Vanity Fair. The first volume of A Life of Picasso, covering the years 1881-1906, was published in 1991 and won the Whitbread Prize. The second volume of A Life of Picasso, covering the years 1907-1917, was published in 1996. In 1993 Richardson was made a Corresponding Fellow of the British Academy. In 1994-95 he served as the Slade Professor of Art at Oxford. Currently he divides his time between Connecticut and New York City, where is working on the fourth volume of A Life of Picasso

Richardson, it hardly needs repeating, is steeped in Picasso and his life (his own friendship with Picasso is the tacit bedrock of this biography) but the arguments he makes are always precise and cogent, never blithely assertive. -- William Boyd * The Spectator *