Pre-Raphaelite Sisters

Description

When the Pre-Raphaelite Brotherhood (the 'PRB') exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the 'Young Painters of England', this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colours. Who were these women? What is known of their lives and their roles in a movement that, in successive phases, spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, whileothers were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socialising with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewellery-making -the fine crafts that formed a supportive tier for the 'higher' arts of painting and sculpture. And although their backgrounds and life-experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art.

Jan Marshis: a writer whose books include The Pre-Raphaelite Circle, Pre-Raphaelite Sisterhood and Black Victorians. She has published biographies of Elizabeth Siddal, Christina and Dante Gabriel Rossetti and May Morris, and has co-edited The Collected Letters of Jane Morris. Peter Funnellis a former curator at the National Portrait Gallery, London; Charlotte Gereis a curator and co-author of Pre-Raphaelite to Arts and Crafts Jewellery; Pamela Gerrish Nunn is the author of A Pre-Raphaelite Journey: The Art of Eleanor Fortescue-Brickdale; Alison Smith is Chief Curator at the National Portrait Gallery, London,and curated the exhibition Pre-Raphaelites: Victorian Avant-Gardeat, Tate Britain.

[The] exhibition arguably succeeds in recognizing women's roles beyond that of model and muse... write[s] the female characters of the Pre-Raphaelite era into art history.--Lizzy Vartanian Collier "Hyperallergic" A group of British painters known as the Pre-Raphaelite Brotherhood became famous for their lavishly detailed pictures, full of brilliant colors, medieval settings and women with lush, flowing hair.But a new exhibition proposes that women played a far larger role in the movement than has been previously acknowledged.--Peter Saenger "Wall Street Journal" Models and muses, lovers and wives, became the defining faces of the Pre-Raphaelite movement, while also making their own creative contribution, and forging lives that broke free from the confines of the male perspective.--Catriona Gray "Harper's Bazaar" Moves female creatives from the margins of a historical era and puts them at the center.... revelatory.--Helen Lewis "Atlantic" Pre-Raphaelite Sisters offers a female take on that frilly-shirted testosterone-fest, the Pre-Raphaelite Brotherhood.--Hettie Judah "Guardian" Pre-Raphaelite Sisters...doesn't just reclaim twelve women closely associated with the Brotherhood - working as artists, models, poets and muses - it radically re-writes the history of the British art movement. It does so by showing it wasn't the sole creation of a small group of male artists and that its most famous artworks are only the tip of the Pre-Raph iceberg.--Rosemary Waugh "Time Out New York"