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Donald Judd: Complete Writings 1959-1975: Gallery Reviews * Book Reviews * Articles * Letters to the Editor * Reports * Statemen
Paperback / softback
Main Details
Title |
Donald Judd: Complete Writings 1959-1975: Gallery Reviews * Book Reviews * Articles * Letters to the Editor * Reports * Statemen
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Authors and Contributors |
By (author) Donald Judd
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Physical Properties |
Format:Paperback / softback | Pages:240 | Dimensions(mm): Height 279,Width 216 |
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Category/Genre | Theory of art Art and design styles - Minimalism Individual artists and art monographs |
ISBN/Barcode |
9781938922930
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Classifications | Dewey:759.13 |
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Audience | Postgraduate, Research & Scholarly | |
Illustrations |
Illustrated in black and white throughout
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Publishing Details |
Publisher |
Distributed Art Publishers
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Imprint |
Distributed Art Publishers
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Publication Date |
16 May 2016 |
Publication Country |
United States
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Description
Originally published in 1975, reprinted in 2005 and out of print for many years, this collection of Donald Judd's writings is now a sought after classic. His uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kazimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland and Claes Oldenburg. His classic 1965 'Specific Objects' essay, a discussion of sculptural thought in the 1960s, is included alongside the notorious polemical essay 'Imperialism, Nationalism, Regionalism' and much else.
Reviewsthey combine lucid description and fearless judgment in a bracingly forthright, no-nonsense style that makes other critics of the time, and most of us since then, seem flabby by comparison--Peter Schjeldahl "New Yorker" Perhaps more than any other artist of his generation, Judd shaped the cultural discourse of his time- not only through his radical sculptures, but with his prolific writing on his peers.--Zoe Lescaze "Artnews"
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