The Simple Truth: The Monochrome in Modern Art

Hardback

Main Details

Title The Simple Truth: The Monochrome in Modern Art
Authors and Contributors      By (author) Simon Morley
Physical Properties
Format:Hardback
Pages:304
Dimensions(mm): Height 208,Width 156
Category/GenreTheory of art
Art and design styles - from c 1900 to now
ISBN/Barcode 9781789142310
ClassificationsDewey:709.04
Audience
General
Illustrations 10 black and white illustrations

Publishing Details

Publisher Reaktion Books
Imprint Reaktion Books
NZ Release Date 18 March 2023
Publication Country United Kingdom

Description

The monochrome - a single-colour work of art - is highly ambiguous. For some it epitomizes purity, and is art reduced to its essence. For others it is just a stunt, the emperor's new clothes. Why are monochromes so admired, yet such an easy target of scorn? In this illuminating book Simon Morley unpacks the meanings of the monochrome as it developed internationally over the twentieth century to today. In doing so he explores more general questions such as how artists have understood what they make, how critics variously interpret it and how art is encountered by viewers. 'Simon Morley's book brilliantly explores the labyrinthine complexities of this apparently simple form of abstract art.' - David Batchelor, artist 'An indispensable introduction to the intriguing material, optical and philosophical challenges posed by the monochrome.' - Malcolm Bull, Professor of Art and the History of Ideas, University of Oxford

Author Biography

Simon Morley is Assistant Professor at Dankook University, Korea. He is the author of Writing on the Wall: Word and Image in Modern Art (2003) and Seven Keys to Modern Art (2019).

Reviews

"An indispensable introduction to the intriguing material, optical, and philosophical challenges posed by the monochrome. Morley writes with such tact and insight that anyone interested in the contemporary practice of painting, whether expert or novice, will find the book a delight."--Malcolm Bull, Professor of Art and the History of Ideas, University of Oxford "Brilliantly explores the labyrinthine complexities of this apparently simple form of abstract art."--David Batchelor, artist