Kant, Art, and Art History: Moments of Discipline

Description

Kant, Art, and Art History is the first systematic study of Kant's reception of and influence on the visual arts and art history. Arguing against Kant's transcendental approach to aesthetic judgement, Cheetham examines five 'moments' of his influence, including the use of Kant's political writings among German-speaking artists and critics in Rome around 1800; the canonized patterns of Kant's reception in late nineteenth- and early twentieth-century art history, particularly in the work of Woelfflin and Panofsky; and the Kantian language in the criticism of Cubism. He also reassesses Clement Greenberg's famous reliance on Kant. The final chapter focuses on Kant's 'image', both in contemporary and posthumous portraits, with respect to his status as the image of philosophy within a disciplinary hierarchy. In Cheetham's reading, Kant emerges as a figure who has constantly erected and crossed the borders among art, its history, and philosophy.

Review of the hardback: 'A disciplined book about specific events in art history.' Architectural Review Review of the hardback: 'Mark Cheetham's thorough and insightful new work investigates Kant's continuing influence on the visual arts, both in practice and as defined by the academic discipline of art history.' Journal of the History of Philosophy Review of the hardback: 'Cheetham's work is an erudite and highly reflexive contribution to Kant studies, an invigorating and revitalizing critical infusion.' German Studies Review