Dissemination

Paperback / softback

Main Details

Title Dissemination
Authors and Contributors      By (author) Jacques Derrida
Translated by Barbara Johnson
SeriesBloomsbury Revelations
Physical Properties
Format:Paperback / softback
Pages:432
Dimensions(mm): Height 216,Width 138
Category/GenreDeconstructionism, structuralism and post-structuralism
ISBN/Barcode 9781474243711
ClassificationsDewey:194
Audience
Undergraduate
Postgraduate, Research & Scholarly

Publishing Details

Publisher Bloomsbury Publishing PLC
Imprint Bloomsbury Academic
Publication Date 25 February 2016
Publication Country United Kingdom

Description

First published in 1972, Dissemination contains three of Derrida's most central and seminal works: 'Plato's Pharmacy', 'The Double Session' and 'Dissemination'. The essays present a re-evaluation of the logic of meaning and the function of writing in Western discourse and explore the relationship and interplay between language, literature and philosophy. The text includes a substantial introduction and additional notes on the text by Barbara Johnson.

Author Biography

Jacques Derrida (1930-2004) is one of the best known 20th century philosophers and is regarded as the founder of the Deconstruction movement. His work continues to be hugely influential across the humanities and social sciences and his impact on philosophy and literary criticism is unparalleled. He is author of Of Grammatology (1967), Positions (1972) and Writing and Difference (1967) among many others.

Reviews

The English version of Dissemination [is] an able translation by Barbara Johnson . . . . Derrida's central contention is that language is haunted by dispersal, absence, loss, the risk of unmeaning, a risk which is starkly embodied in all writing. The distinction between philosophy and literature therefore becomes of secondary importance. Philosophy vainly attempts to control the irrecoverable dissemination of its own meaning, it strives-against the grain of language-to offer a sober revelation of truth. Literature-on the other hand-flaunts its own meretriciousness, abandons itself to the Dionysiac play of language. In Dissemination-more than any previous work-Derrida joins in the revelry, weaving a complex pattern of puns, verbal echoes and allusions, intended to 'deconstruct' both the pretension of criticism to tell the truth about literature, and the pretension of philosophy to the literature of truth. * Peter Dews, New Statesman *