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America on Record: A History of Recorded Sound
Hardback
Main Details
Title |
America on Record: A History of Recorded Sound
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Authors and Contributors |
By (author) Andre Millard
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Physical Properties |
Format:Hardback | Pages:474 | Dimensions(mm): Height 229,Width 152 |
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Category/Genre | Musical scores and lyrics Music recording and reproduction World history - from c 1900 to now |
ISBN/Barcode |
9780521835152
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Classifications | Dewey:621.389/3/0973 780.2660973 |
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Audience | Professional & Vocational | General | Tertiary Education (US: College) | |
Edition |
2nd Revised edition
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Illustrations |
41 Halftones, unspecified; 10 Line drawings, unspecified
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Publishing Details |
Publisher |
Cambridge University Press
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Imprint |
Cambridge University Press
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Publication Date |
5 December 2005 |
Publication Country |
United Kingdom
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Description
With Thomas Edison's invention of the phonograph, the beautiful music that was the preserve of the wealthy became a mass-produced consumer good, cheap enough to be available to all. In 1877 Edison dreamed that one day there would be a talking machine in every home. America on Record: A History of Recorded Sound provides a history of sound recording from the first thin sheet of tinfoil that was manipulated into retaining sound to the home recordings of rappers in the 1980s and the high-tech studios of the 1990s. This book examines the important technical developments of acoustic, electric, and digital sound reproduction while outlining the cultural impact of recorded music and movies. This second edition brings the story up to date, describing the digital revolution of sound recording with the rise of computers, Napster, DVD, MP3, and iPod.
Author Biography
Andre Millard is Director of American Studies and Professor of History at the University of Alabama at Birmingham. He is the author of "Edison and the Business of Innovation," and a contributor to National Public Radio's "Lost and Found Sound."
Reviews'This is an excellent advertisement for an American Studies approach to past attitudes and mores that a less focused approach would lose: cultural history at its best.' History
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