The Lives of Sumerian Sculpture: An Archaeology of the Early Dynastic Temple

Hardback

Main Details

Title The Lives of Sumerian Sculpture: An Archaeology of the Early Dynastic Temple
Authors and Contributors      By (author) Jean M. Evans
Physical Properties
Format:Hardback
Pages:287
Dimensions(mm): Height 260,Width 182
Category/GenrePrehistoric archaeology
ISBN/Barcode 9781107017399
ClassificationsDewey:935.501
Audience
Professional & Vocational
Illustrations 1 Maps; 58 Halftones, unspecified; 13 Line drawings, unspecified

Publishing Details

Publisher Cambridge University Press
Imprint Cambridge University Press
Publication Date 8 October 2012
Publication Country United Kingdom

Description

This book examines the sculptures created during the Early Dynastic period (2900-2350 BC) of Sumer, a region corresponding to present-day southern Iraq. Featured almost exclusively in temple complexes, some 550 Early Dynastic stone statues of human figures carved in an abstract style have survived. Chronicling the intellectual history of ancient Near Eastern art history and archaeology at the intersection of sculpture and aesthetics, this book argues that the early modern reception of Sumer still influences ideas about these sculptures. Engaging also with the archaeology of the Early Dynastic temple, the book ultimately considers what a stone statue of a human figure has signified, both in modern times and in antiquity.

Author Biography

Jean M. Evans is a Research Associate at the Oriental Institute of the University of Chicago. She has been the recipient of fellowships from the J. Paul Getty Foundation, the American Academic Research Institute of Iraq and the Warburg Institute of the University of London. She was the co-organizer of the international exhibition Beyond Babylon: Art, Trade, and Diplomacy in the Second Millennium B.C. and co-editor of its corresponding publication.

Reviews

'Evans' study of Sumerian statues in the Early Dynastic Period gives new arguments and ideas on a long interpretation of material, with a very interesting new perspective that is based on the importance of the archaeological contexts where statues have been recovered and, possibly, lived.' Davide Nadali, Bibliotheca Orientalis