The Shape of a Pocket

Paperback / softback

Main Details

Title The Shape of a Pocket
Authors and Contributors      By (author) John Berger
Physical Properties
Format:Paperback / softback
Pages:272
Dimensions(mm): Height 198,Width 129
Category/GenreLiterary essays
Economic systems and structures
ISBN/Barcode 9780747558101
ClassificationsDewey:330.122
Audience
Tertiary Education (US: College)
Edition New edition
Illustrations illustrations

Publishing Details

Publisher Bloomsbury Publishing PLC
Imprint Bloomsbury Publishing PLC
Publication Date 19 August 2002
Publication Country United Kingdom

Description

'The pocket in question is a small pocket of resistance. A pocket is formed when two or more people come together in agreement. The resistance is against the inhumanity of the new world economic order. The people coming together are the reader, me and those the essays are about - Rembrandt, Palaeolithic cave painters, a Romanian peasant, ancient Egyptians, an expert in the loneliness of certain hotel bedrooms, dogs at dusk, a man in a radio station. And unexpectedly, our exchanges strengthen each of us in our conviction that what is happening to the world today is wrong, and that what is often said about it is a lie. I've never written a book with a greater sense of urgency.' John Berger

Author Biography

John Berger was born in London in 1926. His many books include the Booker Prize winning novel G and, more recently, TO THE WEDDING. Amongst his outstanding studies of art and photography are ANOTHER WAY OF TELLING, THE SUCCESS AND FAILURE OF PICASSO and the internationally acclaimed WAYS OF SEEING. He lives and works in a small village in the French Alps, the setting for his trilogy INTO THEIR LABOURS. His latest novel KING was published in 1998.

Reviews

"John Berger writes: 'The pocket in question is a small pocket of resistance. A pocket is formed when two or more people come together in agreement. The resistance is against the inhumanity of the new world economic order. The people coming together are the reader, me and those the essays are about - Rembrandt, Palaeolithic cave painters, a Romanian peasant, ancient Egyptians, an expert in the loneliness of certain hotel bedrooms, dogs at dusk, a man in a radio station. And unexpectedly, our exchanges strengthen each of us in our conviction that what is happening to the world today is wrong, and that what is often said about it is a lie. I've never written a book with a greater sense of urgency.'