The Educated Ear

Description

A jam-packed, II-year undertaking of 928 pages, 1,500 entries, and over 1,000 recommended recordings, "The NPR Listener's Encyclopaedia" is an everything-you-need-to-know bible for the classical music lover. Written with infectious enthusiasm by Ted Libbey, author of "The NPR Guide to Building a Classical CD Collection", this is an encyclopaedia with wit and verve, covering those terms, works, composers, and performers that NPR listeners and concert-goers are most likely to encounter. In addition, buyers of the book will receive a password that opens the door to an interactive Web site, created in a partnership with the classical music powerhouse, Naxos, that allows them to listen to 600 examples of works, techniques, and performers discussed and cross-referenced in the book. This is the first interactive encyclopaedia of music!

Ted Libbey is one of America's most highly regarded music critics. A former music critic for The New York Times, he is known to millions of NPR listeners as curator of the Basic Radio Library on "Performance Today." Mr. Libbey is now Director of Media Arts of the National Endowment for the Arts. He lives in Rockville, Maryland.

The well-known classical music commentator from National Public Radio's Performance Today, Libbey (The NPR Guide to Building a Classical CD Collection) has written a listener's encyclopedia containing about 1,500 entries and 1,000 recommended recordings. Entries include biographies (both composers and performers), musical genres (sonata), musical terms (triad), musical instruments (piano), and selected musical works (Carnival of the Animals), as well as assorted other terms related to music (Carnegie Hall). Libbey's writing mirrors the clear, learned, yet always engaging style that he projects on the radio. The entry on Korngold is illustrative of Libbey's enthusiasm--the violin concerto is described as "one of the supreme masterpieces of the literature"--though the recommended recordings might have included more than one of the many extant recordings of Korngold's wonderful film scores. Several lesser-known composers who have been recorded fairly often (such as Viotti) do not rate a separate entry, though Viotti does appear in the entry on violin. A treasure trove of over 500 music examples will be available on the web from Naxos via a login that allows for multiple accounts. Unlike Julius H. Jacobson's The Classical Music Experience (SourceBooks MediaFusion, 2003), which was published with two CDs containing about 120 usually abbreviated tracks, purchase of Libbey's book allows the listener many hours of very full samples, e.g., the complete Beethoven Waldstein Sonata, Vaughn Williams's complete The Lark Ascending, and the full 20 minutes of Bruckner's opening movement of the Seventh Symphony--a perfect way to sample great music. Bottom line, this is an excellent source for the biography, lore, and terminology of classical music, nicely enhanced by the many photographs and illustrations. As a general introduction to classical music (and especially as an encyclopedia for listeners), this book is superior to recent ventures, such as Jacobson's work or Fred Plotkin's Classical Music 101 (Hyperion, 2002). Those interested purely in recordings will also want one of the general review compendiums of classical recorded music, e.g., The Penguin Guide to Compact Discs & DVDs, Backbeat's Classical Music: The Listener's Companion, or The Rough Guide to Classical Music. Libbey's book is both a listener's encyclopedia and a guide to recordings, but it does not replace such standards as Oxford's Grove Music Online or Gale/Schirmer's Baker's Biographical Dictionary of Musicians. Recommended for all libraries.--Library Journal, Bruce R. Schueneman, Texas A&M Univ. Lib., Kingsville