Crossroads: I Live Where I Like: A Graphic History

Description

A graphic nonfiction history of women-led movements at the forefront of the struggle for land, housing, water, education, and safety in Cape Town over half a century Drawing on over sixty life narratives, it tells the story of women who built and defended Crossroads, the only African informal settlement that successfully resisted the apartheid bulldozers in Cape Town. The story follows women's organised resistance from the peak of apartheid in the 1970s to ongoing struggles for decent shelter today. Importantly, the history was workshopped with contemporary housing activists and women's collectives who chose the most urgent and ongoing themes they felt spoke to and clarified challenges against segregation, racism, violence, and patriarchy standing between the legacy of the colonial and apartheid past and a future of freedom still being fought for. Presenting dramatic visual representations of many personalities and moments in the daily life of this township, the book presents a thoughtful and thorough chronology and archival newspapers, posters, photography, pamphlets, newsletters, and documentary clips that further illustrate the significance of the struggles at Crossroads for the rest of the city and beyond.

Koni Benson is a historian, organizer, and educator. Robin D.G. Kelley is an American historian and academic. Ashley E. Marais is a comic book artist, designer, and painter. Andre Trantraal is a writer, illustrator, and translator. Nathan Trantraal is a poet, cartoonist, translator, and writer.

"Crossroads is, quite simply, beautiful. It is intellectual and appealing and everything one could hope for from this kind of project. It is a meaningful engagement with a deeply troubling and enormously significant past. Not only does it weave text and images together to their best effect, but this is also one of the most insightful studies of urban history and social movements in any medium." --Trevor Getz, professor of African history, San Francisco State University; author of Abina and the Important Men: A Graphic History; and series editor of the Oxford University Press's Uncovering History series "Through the narratives of women's struggles told in an honest and compelling way, Crossroads is an essential activist's handbook. It is a long-awaited and important compilation that is fundamental in understanding how women rose up against oppression and dispossession." --Nomusa Makhubu, winner of the ABSA L'Atelier Gerard Sekoto Award and the Prix du Studio National des Arts Contemporains, Le Fresnoy "Koni Benson and her colleagues have produced an excellent and colourful history of the people of Crossroads. Based on original scholarly research, the comic books bring to life the tribulations and resistance of poor black people, especially women, in the face of constant state violence. Their determination to organise and to struggle for the right to a decent life in Cape Town, whose authorities were determined to exclude them from the city, hold crucial lessons for contemporary movements of the poor and marginalised. The Crossroads comics are a fine example of popular history and should be compulsory reading in our schools and communities." --Noor Nieftagodien, author of The Soweto Uprising and Alexandra: A History "Nuanced in its story-telling, Crossroads draws on the best that graphic traditions have to offer: iconic imagery, bold and effective compositional frames, thick colour patches that recall the vivid life that survived the bleak years of apartheid, and wonderful characters, who speak from but also beyond their specific historical and geographical locations. Crossroads is thus both African and not, speaking as all good books do, to a variety of human situations, across our planet. A book that crosses genres, it is at once memory, history and a feminist fable. Suitable for all that can read and hold ideas in their heads, and who love a good tale." --V. Geetha, feminist historian and editorial director of Tara Books, India "I am aware of this work because of its international circulation and reputation for advancing quality scholarship in original forms and formats. I cannot speak too highly of this series, which dramatizes African women's collective resistance to political oppression in a historically grounded yet accessible medium--what we have come to call the graphic history." --Antoinette Burton, author of The Trouble with Empire/p>