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The Sentimental Novel in the Eighteenth Century
Hardback
Main Details
Title |
The Sentimental Novel in the Eighteenth Century
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Authors and Contributors |
Edited by Albert J. Rivero
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Physical Properties |
Format:Hardback | Pages:258 | Dimensions(mm): Height 235,Width 158 |
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Category/Genre | Literary studies - c 1500 to c 1800 Literary studies - fiction, novelists and prose writers |
ISBN/Barcode |
9781108418928
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Classifications | Dewey:823.509353 |
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Audience | Professional & Vocational | |
Illustrations |
Worked examples or Exercises
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Publishing Details |
Publisher |
Cambridge University Press
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Imprint |
Cambridge University Press
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Publication Date |
21 March 2019 |
Publication Country |
United Kingdom
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Description
As a literary genre, the sentimental novel reached the height of its vogue in the 1770s and 1780s and was still popular as the eighteenth century drew to a close. This volume presents a comprehensive exploration of the sentimental novel in the eighteenth century, beginning with its origins in the so-called amatory fiction of the late seventeenth and early eighteenth centuries. Chapters from leading scholars combine the various aspects and contexts of the genre, from politics, slavery, women writers, and the Gothic to the sentimental novel in America, France and Germany, with historically informed close readings of novels by writers including Samuel Richardson (1689-1761), Laurence Sterne (1713-68) and Jane Austen (1775-1817). This volume demonstrates that the sentimental novel continues to engage readers and critics and that, far from being obsolete or only of antiquary interest, it remains a vibrant and exciting area of study.
Author Biography
Albert J. Rivero, professor of English at Marquette University, has published widely on British literature of the long eighteenth century. He has edited critical editions of Gulliver's Travels (2002) and Moll Flanders (2004) and Samuel Richardson's Pamela: Or, Virtue Rewarded (Cambridge, 2011) and Pamela in Her Exalted Condition (Cambridge, 2012).
Reviews'... this collection is well worth having on one's shelf, offering as it does much to both new and established scholars concerning the long history, complex aesthetics, and ambivalent politics of the sentimental narrative mode. So much has been written over the past few decades on the sentimental novel in English that it would be reasonable to think little new could be added and yet this coherent collection produced by scholars at the top of their game offers fresh perspectives, often eloquent readings, and a lot for the rest of us to build on.' Stephen Ahern, Project Muse '... impressive and informative ...' Colette Davies and Ruby Hawley-Sibbett, TYWES
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