English Renaissance Tragedy: Ideas of Freedom

Paperback / softback

Main Details

Title English Renaissance Tragedy: Ideas of Freedom
Authors and Contributors      By (author) Dr Peter Holbrook
Physical Properties
Format:Paperback / softback
Pages:256
Dimensions(mm): Height 198,Width 129
Category/GenreLiterary studies - c 1500 to c 1800
Literary studies - plays and playwrights
ISBN/Barcode 9781472572806
ClassificationsDewey:822.05120903
Audience
Professional & Vocational

Publishing Details

Publisher Bloomsbury Publishing PLC
Imprint The Arden Shakespeare
Publication Date 24 September 2015
Publication Country United Kingdom

Description

This book's underlying claim is that English Renaissance tragedy addresses live issues in the experience of readers and spectators today: it is not a genre to be studied only for aesthetic or "heritage" reasons. The book considers the way in which tragedy in general, and English Renaissance tragedy in particular, addresses ideas of freedom, understood both from an individual and a sociopolitical perspective. Tragedy since the Greeks has addressed the constraints and necessities to which human life is subject (Fate, the gods, chance, the conflict between state and individual) as well as the human desire for autonomy and self-direction. In short, English Renaissance Tragedy: Ideas of Freedom shows how the tragic drama of Shakespeare's age addresses problems of freedom, slavery, and tyranny in ways that speak to us now.

Author Biography

Peter Holbrook is Professor of Shakespeare and English Renaissance Literature, University of Queensland, Australia and President of the International Shakespeare Association.

Reviews

[Holbrook's] short readings of individual plays ... are fresh, provocative and frequently illuminating ... There is a great deal to engage readers of all sorts in ... this book and it is much to be welcomed. * Around the Globe * Relies on incisive close readings of individual characters to argue that the tragic genre served as a traditional vehicle for radical expressions of political subversiveness, religious heterodoxy, and cultural relativism. * Shakespeare Quarterly *