Views of American Landscapes

Description

This book is about the ways American and British writers, painters and photographers have represented the American environment. It brings together essays by American, British and European scholars which consider the one hundred and twenty years following the Revolution and examine the preconceptions, ideologies, rhetorical and aesthetic conventions that shaped attitudes to the North American continent. While ranging widely, the essayists focus on such figures as Jefferson, Crevecoeur, John Neal, James Fenimore Cooper, William Cullen Bryant, Thomas Cole, Samuel Morse, Fanny Kemble, Dickens, Hawthorne, Clarence King and Edward Curtis. Amongst the places featured in the discussions are the Niagara Falls, the Mississippi and Ohio rivers, Virginia's Natural Bridge, Mount Ktaadn and a Broadway omnibus. The book contains numerous illustrations, including early photographs of the western United States, and will be of interest to specialists and students of American literature, history and culture.

Mick Gidley is Emeritus Professor of American Literature and Culture at the University of Leeds. He has been awarded fellowships by the American Council of Learned Societies, the Netherlands Institute for Advanced Study and the UK's Arts and Humanities Research Council. In 2007 he was awarded the Arthur Miller Prize for an essay on Richard Avedon published in the final issue of the annual Prospects (Cambridge University Press, 2006), and in 2009 he was made a lifetime Honorary Fellow of the British Association for American Studies. His books include With One Sky Above Us: Life on an Indian Reservation at the Turn of the Century (1979 and 1985), Kopet: A Documentary Narrative of Chief Joseph's Last Years (1981 and 1983), Edward S. Curtis and the North American Indian, Incorporated (Cambridge University Press, 1998 and 2000) and Photography and the USA (2011). As well as many essays on literary and cultural history, he has edited or co-edited such works as Modern American Culture: An Introduction (1992 and 1995), American Photographs in Europe (1994), Edward S. Curtis and the North American Indian Project in the Field (2003 and 2010) and Writing with Light: Words and Photographs in American Texts (2010). He is currently completing E. O. Hoppe at Large: Photographing the Modern World.