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Literary studies - c 1500 to c 1800
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Comus and Lycidas
By
John Milton
,
A. W. Verity
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The Relapse
By
Sir John Vanbrugh
,
Bernard Harris
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Theophile Gautier, Conteur Fantastique Et Merveilleux
By
Peter Whyte
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Shakespeare Performance Studies
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W. B. Worthen
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The Reception of Jonathan Swift in Europe
By
Hermann J. Real
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Poetaster: Ben Jonson
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Tom Cain
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Grief and Women Writers in the English Renaissance
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Elizabeth Hodgson
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The Renegado
By
Philip Massinger
,
Professor Michael Neill
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Paradise Lost
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John Milton
,
Gustave Dore
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Style in the Renaissance: Language and Ideology in Early Modern England
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Dr Patricia Canning
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Endymion: John Lyly
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Stephen Bevington
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The Cultural Geography of Early Modern Drama, 1620-1650
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Julie Sanders
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Tears, Liquids and Porous Bodies in Literature Across the Ages: Niobe's Siblings
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Norbert Lennartz
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Shakespeare and the Eighteenth-Century Novel: Cultures of Quotation from Samuel Richardson to Jane Austen
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Kate Rumbold
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The Traveller and The Deserted Village
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Oliver Goldsmith
,
W. Murison
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Shakespeare, 'Othello' and Domestic Tragedy
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Professor Sean Benson
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El Caballero De Olmedo by Lope De Vega Carpio
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Anthony Lappin
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Reading Memory in Early Modern Literature
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Andrew Hiscock
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Magic as a Political Crime in Medieval and Early Modern England: A History of Sorcery and Treason
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Francis Young
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Commonplace Books and Reading in Georgian England
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David Allan
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Shakespeare and Moral Agency
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Professor Michael D. Bristol
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Galatea and Midas: John Lyly
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George Hunter
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Stephen Bevington
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Essays, Plays and Sundry Verses
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Abraham Cowley
,
A. R. Waller
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The Politics of Performing Shakespeare for Young People: Standing up to Shakespeare
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Jan Wozniak
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The Tragedy of Antigone, the Theban Princesse: By Thomas May
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Matteo Pangallo
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Politics and Literature in the Age of Swift: English and Irish Perspectives
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Claude Rawson
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The Renaissance and Long Eighteenth Century
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Anita Pacheco
,
David Johnson
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MolieRe Et Son Premier Tartuffe: GeneSe Et eVolution d'Une PieCe a Scandale
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Robert McBride
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The Cambridge Companion to the Italian Renaissance
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Michael Wyatt
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Reading and Rhetoric in Montaigne and Shakespeare
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Peter Mack
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