The Bloomsbury Handbook of Contemporary American Poetry

Description

With chapters written by leading scholars such as Steven Gould Axelrod, Cary Nelson, Aldon Lynn Nielsen and Marjorie Perloff, this comprehensive Handbook explores the full range and diversity of poetry and criticism in 21st-century America. The Bloomsbury Handbook of Contemporary American Poetry covers such topics as: * Major histories and genealogies of post-war poetry - from the language poets and the Black Arts Movement to New York school and the Beats * Poetry, identity and community - from African American, Chicana/o and Native American poetry to Queer verse and the poetics of disability * Key genres and forms - including digital, visual, documentary and children's poetry * Central critical themes - economics, publishing, popular culture, ecopoetics, translation and biography The book also includes an interview section in which major contemporary poets such as Rae Armantrout, Charles Bernstein and Claudia Rankine reflect on the craft and value of poetry today.

Craig Svonkin is Assistant Professor of English at Metropolitan State University of Denver, USA. He is co-author (with Emory Elliott) of New Directions in American Literary Scholarship: 1980-2002 (2004). Steven Gould Axelrod is Professor of English at the University of California, Riverside, USA. He is co-editor of The New Anthology of American Poetry: Volumes 1-3 (2002-2012), editor of Robert Lowell's Memoirs (2019) and a former President of the Pacific Ancient and Modern Languages Association (2004-6).

This is such a wonderful anomaly among handbooks of poetry that I read it in one sitting. It is multicultural and multifaceted, personal and provocative, witty and wacky. The Handbook is an exciting melange that will appeal to every scholar, student, and lover of American poetry. * Marian Janssen, Researcher at Radboud Institute for Culture and History, Radboud University Nijmegen, Netherlands * Steven Gould Axelrod and Craig Svonkin sought "a whale of a book." Well, harpoon one they have, and no harm done. They right this vessel, sail the main of contemporary American poetry, and provision all with rich chowder. The crew within is as diverse, though better starred, than any that ever allegorized the decks of a Pequod. Here, surely, is a mast-head from which to survey our present literary horizons. Is this book indispensable? Reader, it is more. Climb aboard. * Mark Richardson, Professor of English, Doshisha University, JAPAN *