Ravenhill Plays: 2: Mother Clap's Molly House; The Cut; Citizenship; Pool (no water); Product

Paperback / softback

Main Details

Title Ravenhill Plays: 2: Mother Clap's Molly House; The Cut; Citizenship; Pool (no water); Product
Authors and Contributors      By (author) Mark Ravenhill
SeriesContemporary Dramatists
Physical Properties
Format:Paperback / softback
Pages:336
Dimensions(mm): Height 198,Width 129
Category/GenrePlays, playscripts
ISBN/Barcode 9781408106792
ClassificationsDewey:822.914
Audience
General
Tertiary Education (US: College)
Professional & Vocational
Illustrations N/A

Publishing Details

Publisher Bloomsbury Publishing PLC
Imprint Methuen Drama
Publication Date 9 April 2008
Publication Country United Kingdom

Description

Mark Ravenhill has established himself as one of the most important playwrights to emerge from the 1990s. Provocative, dark, witty and satirical, his plays consistently probe the debased culture of our times. This second volume of plays brings together five plays from 2001-07. It includes Mother Clap's Molly House, a black comedy and celebration of human sexuality that premiered at the National Theatre in 2001; Citizenship, a bitter-sweet comedy about growing up that was developed by the National Theatre's Shell Connections programme in 2005; The Cut, a disturbing political fable that opened at the Donmar Warehouse in 2006; Product (World Remix), Ravenhill's one man satire on the media industry that since its premiere at the Edinburgh International Festival in 2005, has been produced around the world, and Pool (no water), a shocking examination of the fragility of friendship and the jealousy and resentment inspired by success. The volume features an introduction by the author and a chronology of his work.

Author Biography

Mark Ravenhill burst on to the theatre scene in 1996 with the huge hit Shopping and Fucking. He has continued to garner critical acclaim for plays that include Some Explicit Polaroids, Mother Clap's Molly House, and most recently Shoot/Get Treasure/Repeat (National Theatre and Royal Court, April 2008)