A Taste of Honey: 60 Years of Modern Plays

Description

It's chaotic -- a bit of love, a bit of lust and there you are. We don't ask for life, we have it thrust upon us. Written by Shelagh Delaney when she was 19, A Taste of Honey is one of the great defining and taboo-breaking plays of the 1950s. When her mother, Helen, runs off with a car salesman, feisty teenager Jo takes up with a black sailor who promises to marry her before he heads for the seas, leaving her pregnant and alone. Art student Geoff moves in and assumes the role of surrogate parent until misguidedly, he sends for Helen and their unconventional setup unravels. A Taste of Honey offers an explosive celebration of the vulnerabilities and strengths of the female spirit in a deprived world. Bursting with energy, this exhilarating and angry depiction of harsh, working-class life in post-war Salford is shot through with love and humour, and infused with jazz. The play was first presented by Theatre Workshop at the Theatre Royal Stratford, London, on 27 May 1958. It was published by Methuen Drama in 1959, beginning their Modern Plays series. Methuen Drama's iconic Modern Plays series began in 1959 with the publication of Shelagh Delaney's A Taste of Honey and has grown over six decades to now include more than 1000 plays by some of the best writers from around the world. This new special edition hardback of A Taste of Honey was published to celebrate 60 years of Methuen Drama's Modern Plays in 2019, chosen by a public vote and features a brand new foreword by Celia Brayfield.

Shelagh Delaney was born in Salford, Lancashire. She is most well-known for A Taste of Honey, for which she won the Foyle's New Play Award and the New York Drama Critics' Circle Award. She wrote the screenplay for the film version with Tony Richardson and was awarded the British Film Academy Award and the Robert Flaherty Award. Her other screenplays include The White Bus and Charley Bubbles, for which she won the Writers' Guild Award. She has also written for television and radio and has had a collection of short stories published. She died in 2011.

A tough, tenacious play with an emotional bite that proves it is more than raucous comedy * Michael Billington, The Guardian * Miss Delaney brings real people on to her stage, joking and flaring and scuffling and eventually, out of the zest for life she gives them, surviving * Kenneth Tynan, 1958 * Tough, humorous ... exhilarating * The Times, 1958 * A work of complete, exhilarating originality ... a real escape from the middlebrow, middle-class vacuum of the West End * Lindsay Anderson, Encore, 1958 *