Love for Love

Description

More successful in its day than The Way of the World, which is now accounted Congreve's best play, Love for Love (1695) is a comical farce manifesting the verbal polish and the theatrical wit that audiences so enjoy in Congreve. Valentine, Sir Sampson's dissolute eldest son, finds himself at a standstill; the only way out of his financial difficulties is to give in to his father's pressure to renounce his right of inheritance. While this suggestion immediately increases the chances of his bluff younger brother Ben on the marriage mart, Valentine's own chances with his beloved Angelica would proportionally decrease. To avoid having to sign the renunciation Valentine puts on an 'antic disposition' and pretends to be mad. Angelica, seeing through him, provokes him back into sanity by pretending to agree to marry his father. Valentine recovers, the lovers reunite, and Ben, too, has meanwhile found the girl of his heart

William Congreve (1670-1729) was an English playwright, and one of the most sophisticated exponent of the comedy of manners during the Restoration era. Congreve wrote five plays before he was 30. His first, The Old Bachelor, was an enormous success at Drury Lane in 1693, in a production starring Thomas Betterton and Mrs Bracegirdle. According to Congreve he wrote the play to amuse himself during a convalescence. The Double Dealer (1694) was not so well received but in 1695 he produced another hit, Love for Love (again with Betterton and Mrs Bracegirdle), to open the new Lincoln's Inns Fields Theatre. Its success secured his reputation and earned him a share in the theatre. His promise to write at least one play a year for the theatre of which he was now a part owner, was unfortunately not fulfilled. Congreve's only tragedy, The Mourning Bride (1697), was his most popular work during his lifetime but is now rarely seen. It starred Mrs Bracegirdle as Almeria, a part that became much coveted by tragic actresses. In 1700 The Way of the World - a highly sophisticated and complex work now considered his masterpiece - met with a cool reception. This failure, together with his continued discomfort at having been attacked in Jeremy Collier's influential pamphlet A Short View of the Profaneness and Immorality of the English Stage (1698), persuaded him to retire. (Congreve had replied to Collier with little effect in Amendments of Mr Collier's False and Imperfect Citations.) Voltaire later visited him and accused him of wasting his genius. Congreve told him he wished to be visited as a gentleman, not as an author. To this Voltaire replied that if Mr Congreve were only a gentleman, he would not have bothered to call upon him. Congreve was by all accounts a warm man who won the love and respect of his many friends. John Dryden called him the equal of Shakespeare, Alexander Pope dedicated his translation of the Iliad to him in 1715, and John Gay called him an 'unreproachful man'. When he died he left nearly all of his GBP10,000 estate to his mistress, Henrietta, the second Duchess of Marlborough, who arranged for his burial in Westminster Abbey.