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Nineteenth-Century American Fiction on Screen
Hardback
Main Details
Title |
Nineteenth-Century American Fiction on Screen
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Authors and Contributors |
Edited by R. Barton Palmer
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Physical Properties |
Format:Hardback | Pages:278 | Dimensions(mm): Height 229,Width 152 |
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Category/Genre | Films and cinema Literary studies - fiction, novelists and prose writers |
ISBN/Barcode |
9780521842211
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Classifications | Dewey:791.4375 |
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Audience | Professional & Vocational | |
Illustrations |
12 Halftones, unspecified
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Publishing Details |
Publisher |
Cambridge University Press
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Imprint |
Cambridge University Press
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Publication Date |
8 March 2007 |
Publication Country |
United Kingdom
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Description
The process of translating works of literature to the silver screen is a rich field of study for both students and scholars of literature and cinema. The fourteen essays collected in this 2007 volume provide a survey of the important films based on, or inspired by, nineteenth-century American fiction, from James Fenimore Cooper's The Last of the Mohicans to Owen Wister's The Virginian. Many of the major works of the American canon are included, including The Scarlet Letter, Moby Dick and Sister Carrie. The starting point of each essay is the literary text itself, moving on to describe specific aspects of the adaptation process, including details of production and reception. Written in a lively and accessible style, the book includes production stills and full filmographies. Together with its companion volume on twentieth-century fiction, the volume offers a comprehensive account of the rich tradition of American literature on screen.
Author Biography
R. Barton Palmer is Calhoun Lemon Professor of English at Clemson University, South Carolina.
Reviews"These provocative, informative, and insightful essays open up new avenues of exploration for scholars and students, and the volume was designed with probable classroom use in mind. The book fills a gap in literary and film studies by demonstrating the role of film in what Palmer terms 'furthering the reach of honored, significant, and popular literary texts.'" - Roger W. Smith, Studies in American Naturalism
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