Dennis Hopper: In Dreams: Scenes from the Archive

Description

In Dreams. Scenes from the Archive adds to our understanding of Dennis Hopper's personal vision as an artist by tracing the threads of Hopper's life through photography, and connecting his roles as an actor, husband, father, and photographer. In Dreams eschews Hopper's iconic stand-alone images and instead looks to distill the archive into a connected set of photographs that offer new impressions and stories. Themes emerge, visual rhymes are made, and characters come and go while the reader is invited along for the journey. Hopper's photographic output was especially concentrated in the '60s, a period in which his film career had cooled off. During these years Hopper's primary creative outlet was his photography. The Nikon camera his wife Brooke Hayward gifted him hung so prominently around his neck that friends jokingly called him 'the tourist.' While In Dreams, which references Roy Orbison's song by the same name made famous in Blue Velvet, includes appearances by famous faces, they are intimately intertwined with Hopper's peripatetic life and his everyday use of the camera. Hopper was very much an insider - at ease with celebrities and artists of his day - but this new conversation with his archive shows that, like many photographers, Hopper was also distinctly an outsider. Famous himself, but also an observer: it's this unique duality that allowed Hopper to view the world in his unique way.

Dennis Hopper (1936-2010) was born in Dodge City, Kansas. He first appeared on television in 1954 and quickly became a cult actor, known for films such as Rebel Without a Cause (1955), Easy Rider (1969), The American Friend (1977), Apocalypse Now (1979), Blue Velvet (1986) and Hoosiers (1986). In 1988, he directed the critically acclaimed Colors. Hopper was also a prolific photographer and published now-classic portraits of celebrities such as Andy Warhol and Martin Luther King, Jr. His works are housed in the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; and the Los Angeles County Museum of Art, among others.

The feeling you get from "In Dreams" is not of failure at all but of the dreamlike ecstasy Hopper found in image-making--the realization, as he put it, "that art is everywhere, in every corner that you choose to frame and not just ignore."--Mark Rozzo "New Yorker" The Easy Rider actor-director picked up a camera in 1961 and began a parallel career as a photographer, taking shots on film sets, in diners and out in the landscape, before putting all of his pictures in a vault in the early 70s. A new book, Dennis Hopper: In Dreams publishes more than 100 of them - most of them for the first time - revealing Hopper's restless energy and curiosity.-- "Guardian"