Peter Beard. The End of the Game

Description

"The deeper the white man went into Africa, the faster the life flowed out of it, off the plains and out of the bush...vanishing in acres of trophies and hides and carcasses." - Peter Beard A landmark publication on Africa, The End of the Game combines Peter Beard's salient text and remarkable photographs to document the overpopulation and starvation of tens of thousands of elephants, rhinos, and hippos in Kenya's Tsavo lowlands and Uganda parklands in the 1960s and '70s. Researched and compiled over two decades, and updated several times since with new material, this is Beard's essential book-a powerful and poignant testimony to the damage done by human intervention in Africa. His own images and writings are supplemented by historical photographs of, and quotations from, the enterprisers, explorers, missionaries, and big-game hunters whose quest for adventure and "progress" were to change the face of a continent: Theodore Roosevelt, Frederick Courteney Selous, Karen Blixen (Isak Dinesen), Philip Percival, J. A. Hunter, Ernest Hemingway, and J. H. Patterson. This new edition includes an interview with conservationist Dr. Esmond Bradley Martin, as well as essays from previous editions by renowned writer Paul Theroux and ecologist Dr. Richard M. Laws, and contributions to the afterword by agronomist Dr. Norman Borlaug. Touching on such themes as distance from nature, density and stress, and loss of common sense, this seminal portrait is as resonant today, amid growing environmental crises, as it was a half century ago.

Peter Beard (1938-2020) began taking photographs and keeping diaries from early childhood. By the time he graduated from Yale University, he had developed a keen interest in Africa. Throughout the 1960s and '70s he worked in Tsavo Park, the Aberdares, and Lake Turkana in Kenya's northern frontier. A constant creator, Beard the chronicler photographed, wrote, drew, collaged, and assembled a history of his life experiences and our own.

A unique book, in its scope and breadth, its boldly time-spanning and contrast-rich design, even its noble-Victorian sense of mission. * The New York Times *